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Digital Media: The Future

  • Book
  • © 2000

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Editors:
  1. John A. Vince

    1. School of Media, Arts and Communication, Bournemouth University, Talbot Campus, Fern Barrow, Poole, UK

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  2. Rae Earnshaw

    1. Department of Electronic Imaging and Media Communications, University of Bradford, Bradford, UK

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    You can also search for this editor in PubMed   Google Scholar

  • Represents a valuable snapshot of trends in digital media applications

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About this book

This volume presents state-of-the-art research from a wide area of subjects brought about by the digital convergence of computing, television, telecommunications and the World-Wide Web. It represents a unique snapshot of trends across a wide range of subjects including virtual environments; virtual reality; telepresence; human-computer interface design; interactivity; avatars; and the Internet. Both researchers and practitioners will find it an invaluable source of reference.

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Table of contents (22 chapters)

  1. Front Matter

    Pages i-xviii
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  2. New Media Technologies: The European Perspective

    • Eric Badiqué
    Pages 1-24

  3. From “Web Site” to “Online Presence”; From “Internet” to “Information Society”

    • Peter Thomas
    Pages 25-31

  4. Human—Computer Interaction with Global Information Spaces — Beyond Data Mining

    • Jim Thomas, Kris Cook, Vern Crow, Beth Hetzler, Richard May, Dennis McQuerry et al.
    Pages 32-46

  5. Transparent Access to Video Over the Web: A Review of Current Approaches

    • Peter J. Macer, Peter J. Thomas
    Pages 47-60

  6. Ubiquitous Communications and Media: Steps Toward a Wearable Learning Tool

    • Nick Dyer, Jerry Bowskill
    Pages 61-74

  7. Grafting the User Interface onto Reality

    • David J. Johnston, Adrian F. Clark
    Pages 75-86

  8. Challenges for the World-Wide Graphics Web

    • F. R. A. Hopgood, D. A. Duce
    Pages 87-102

  9. Watermarking of Digital Images — Current Techniques and Future Prospects

    • Roger J. Green, Samura Ali
    Pages 103-114

  10. An Evolving Vision of Sound: An Intuitive User Interface for Creative Control of Complex Musical Objects

    • P. J. Comerford, L. K. Comerford
    Pages 115-127

  11. Integrating Paper and Digital Documents

    • Heather Brown, Peter Robinson
    Pages 128-143

  12. “Smart” Documents with ActiveX 3D Data Visualization Components

    • Mikael Jern
    Pages 144-159

  13. 3D Fashion Design and the Virtual Catwalk

    • Pascal Volino, Nadia Magnenat Thalmann
    Pages 160-174

  14. Artificial Garments for Synthetic Humans in Global Retailing

    • G. K. Stylios, T. R. Wan
    Pages 175-185

  15. CATS: A Multimedia Tool for Scenographic Simulation in Theatre and TV

    • F. Martínez, M. Bermell, O. Belmonte, J. Sevilla, C. Romero, R. Rodríguez
    Pages 186-202

  16. Interpretation and Performance Assessment of Actors’ Representations in Virtual Rehearsals

    • I. J. Palmer, W. Tang, M. Cavazza
    Pages 203-212

  17. Real-Time Virtual Humans

    • Norman I. Badler, Rama Bindiganavale, Juliet Bourne, Jan Allbeck, Jianping Shi, Martha Palmer
    Pages 213-225

  18. Dialogue Design for a “Virtual Interactive Presenter”

    • Marc Cavazza
    Pages 226-238

  19. Virtual Humans’ Behaviour: Individuals, Groups, and Crowds

    • Daniel Thalmann, Soraia Raupp Musse, Marcelo Kallmann
    Pages 239-256

  20. An Inhabited 3D Oil Platform for Immersive CSCW

    • Roland Mark Banks
    Pages 257-267
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Editors and Affiliations

  • School of Media, Arts and Communication, Bournemouth University, Talbot Campus, Fern Barrow, Poole, UK

    John A. Vince

  • Department of Electronic Imaging and Media Communications, University of Bradford, Bradford, UK

    Rae Earnshaw

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