Skip to main content

Abstract

This chapter reviews the move from book jackets (as packaging) to book covers (as marketing devices), tracking how the design of book covers has shifted from representing the text between the covers, to representing literary genres and brands. It maps the movement of publishing from being a gentlemanly pursuit, to its current commodification as large-scale commerce controlled by conglomerates. The chapter takes into account the many roles of publishing houses, especially as gatekeepers, and their power and influence in determining availability, access, and audience. It also notes how book covers now have to jostle for space, attention, and sales, concerned less with author intention or artistry, and more with branding and marketing. Book covers continue to play their roles in representation, but of different parties and concerns. This chapter considers books as material objects rather than literary ones, focusing on the corporeality of books and book covers.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 39.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Hardcover Book
USD 54.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

References

  • Athill, Diana (2000) Stet. A Memoir. London: Granta.

    Google Scholar 

  • Bagdikian, Ben H. (2000) The Media Monopoly, 6th ed. Boston: Beacon Press.

    Google Scholar 

  • Baines, Phil (2005) Penguin by Design. A Cover Story 1935–2005. London: Allen Lane-Penguin.

    Google Scholar 

  • Carlin, Gerry and Mark Jones (2007) ‘Pop Goes the Paperback’, in Nicole Matthews and Nickianne Moody (eds) Judging a Book by Its Cover. Fans, Publishers, Designers, and the Marketing of Fiction. Hampshire: Ashgate.

    Google Scholar 

  • Connolly, Joseph (2009) Faber and Faber. Eighty Years of Book Cover Design. London: Faber and Faber-Bloomsbury.

    Google Scholar 

  • Conrad, Peter (2009) Sunday 12 July, ‘This Time You Can Judge All You Like’, The Observer, www.guardian.co.uk/books/2009/jul/12/eight-years-book-design-connolly [accessed 14/10/09]

    Google Scholar 

  • Drew, Ned and Paul Sternberger (2005) Modern American Book Cover Design. New York: Princeton Architectural Press.

    Google Scholar 

  • Fish, Stanley (1980) ‘Interpreting the Variorum’, in Is There a Text in This Class? Cambridge, MA: Harvard University Press, p171 cited in Squires, 2009, p61.

    Google Scholar 

  • Genette, Gerard (1997) Paratexts. Thresholds of Interpretation. From Literature, Culture, Theory 20 Series. Cambridge: Cambridge University Press.

    Book  Google Scholar 

  • Gussow , Mel (1984) ‘It Is Out of This Violence I Have Always Written’. Interview with V. S. Naipaul, 16 September, New York Times, www. nytimes.com/books/98/06/07/specials/naipaul-violence.html [accessed 15/04 /02].

    Google Scholar 

  • Kitch, Carolyn (2001) The Girl on the Magazine Cover. The Origins of Visual Stereotypes in American Mass Media. Chapel Hill: University of North Carolina Press.

    Google Scholar 

  • Legat, Michael (1982) An Author’s Guide to Publishing. London: Robert Hale.

    Google Scholar 

  • Lewis, Jeremy (1995) Kindred Spirits. Adrift in Literary London. London: Harper Collins.

    Google Scholar 

  • Matthews, Nicole (2007) ‘Introduction’, in Nicole Matthews and Nickianne Moody (eds) Judging a Book by Its Cover. Fans, Publishers, Designers, and the Marketing of Fiction. Hampshire: Ashgate.

    Google Scholar 

  • Matthews, Nicole and Nickianne Moody (2007) Judging a Book by Its Cover. Fans, Publishers, Designers, and the Marketing of Fiction. Hampshire: Ashgate.

    Google Scholar 

  • McKenzie, D. F. (1999) Bibliography and the Sociology of Texts. Cambridge: Cambridge University Press.

    Book  Google Scholar 

  • Moody, Nickianne (2007) ‘Empirical Studies of the Bookshop: Context and Participant Observation in the Study of Selling and Marketing of Science Fiction and Fantasy’, in Nicole Matthews and Nickianne Moody (eds) Judging a Book by Its Cover. Fans, Publishers, Designers, and the Marketing of Fiction. Hampshire: Ashgate.

    Google Scholar 

  • Nambisan, Kavery. (2010) ‘Books’. Writing with the Scapel. 10 February, http://kaverynambisan.blogspot.com/?psinvite=ALRoptXfmcVI43fazyNLq8vHjaoZVQrpwwARF4EuSYWQhlHKO2sDyzq7M8_WA180DHLF gtgxgo7n_T9UWWEagFQHOEnoMwXlbA [accessed 24/02/10].

    Google Scholar 

  • Orsini, Francesca. (2000) ‘India in the Mirror of World Fiction’. New Left Review, 13: 75–88.

    Google Scholar 

  • Pears, Pamela (2007) ‘Images, Messages and the Paratext in Algerian Women’s Writing’, in Nicole Matthews and Nickianne Moody (eds) Judging a Book by Its Cover. Fans, Publishers, Designers, and the Marketing of Fiction. Hampshire: Ashgate.

    Google Scholar 

  • Phillips, Angus (2007) ‘How Books Are Positioned in the Market: Reading the Cover’, in Nicole Matthews and Nickianne Moody (eds) Judging a Book by Its Cover. Fans, Publishers, Designers, and the Marketing of Fiction. Hampshire: Ashgate.

    Google Scholar 

  • Pickford, Susan (2007) ‘Jerome K. Jerome and the Paratextual Staging of Anti-elitism’, in Nicole Matthews and Nickianne Moody (eds) Judging a Book by Its Cover. Fans, Publishers, Designers, and the Marketing of Fiction. Hampshire: Ashgate.

    Google Scholar 

  • Powers, Alan (2001) Front Covers. Great Book Jackets and Cover Design. London: Mitchell Beazley, imprint of Octopus Publishing Group.

    Google Scholar 

  • Resnick, Laura (2007) A Book by Its Cover, www.sff.net/people/laresnick/About%20Writing/Book%20Covers.htm [accessed 10/05/10]

    Google Scholar 

  • Sky, Melissa (2007) “Cover Charge: Selling Sex and Survival in Lesbian Pulp Fiction.” ‘in Nicole Matthews and Nickianne Moody (eds) Judging a Book by Its Cover. Fans, Publishers, Designers, and the Marketing of Fiction. Hampshire: Ashgate.

    Google Scholar 

  • Squires, Clare (2009) Marketing Literature. The Making of Contemporary Writing in Britain. Hampshire: Palgrave Macmillan.

    Google Scholar 

  • Stevenson, Randall (2004) The Oxford English Literary History. Vol 12. 1960–2000. The Last of England? Oxford: Oxford University Press.

    Google Scholar 

  • Thorpe, Vanessa (2005) ‘Booker Covered in Glory’, The Guardian, 14 August, www.guardian.co.uk/uk/2005/aug/14/bookerprize2005.books [accessed 28/07/11].

    Google Scholar 

  • Weedon, Alexis (2007) ‘In Real Life: Book Covers in the Internet Bookstore’ in Nicole Matthews and Nickianne Moody (eds) Judging a Book by Its Cover. Fans, Publishers, Designers, and the Marketing of Fiction. Hampshire: Ashgate.

    Google Scholar 

Download references

Authors

Copyright information

© 2015 Lisa Lau and E. Dawson Varughese

About this chapter

Cite this chapter

Lau, L. (2015). Contextualising Book Covers and Their Changing Roles. In: Indian Writing in English and Issues of Visual Representation: Judging More than a Book by Its Cover. Palgrave Macmillan, London. https://doi.org/10.1057/9781137474223_1

Download citation

Publish with us

Policies and ethics