Abstract
This chapter reviews the move from book jackets (as packaging) to book covers (as marketing devices), tracking how the design of book covers has shifted from representing the text between the covers, to representing literary genres and brands. It maps the movement of publishing from being a gentlemanly pursuit, to its current commodification as large-scale commerce controlled by conglomerates. The chapter takes into account the many roles of publishing houses, especially as gatekeepers, and their power and influence in determining availability, access, and audience. It also notes how book covers now have to jostle for space, attention, and sales, concerned less with author intention or artistry, and more with branding and marketing. Book covers continue to play their roles in representation, but of different parties and concerns. This chapter considers books as material objects rather than literary ones, focusing on the corporeality of books and book covers.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
References
Athill, Diana (2000) Stet. A Memoir. London: Granta.
Bagdikian, Ben H. (2000) The Media Monopoly, 6th ed. Boston: Beacon Press.
Baines, Phil (2005) Penguin by Design. A Cover Story 1935–2005. London: Allen Lane-Penguin.
Carlin, Gerry and Mark Jones (2007) ‘Pop Goes the Paperback’, in Nicole Matthews and Nickianne Moody (eds) Judging a Book by Its Cover. Fans, Publishers, Designers, and the Marketing of Fiction. Hampshire: Ashgate.
Connolly, Joseph (2009) Faber and Faber. Eighty Years of Book Cover Design. London: Faber and Faber-Bloomsbury.
Conrad, Peter (2009) Sunday 12 July, ‘This Time You Can Judge All You Like’, The Observer, www.guardian.co.uk/books/2009/jul/12/eight-years-book-design-connolly [accessed 14/10/09]
Drew, Ned and Paul Sternberger (2005) Modern American Book Cover Design. New York: Princeton Architectural Press.
Fish, Stanley (1980) ‘Interpreting the Variorum’, in Is There a Text in This Class? Cambridge, MA: Harvard University Press, p171 cited in Squires, 2009, p61.
Genette, Gerard (1997) Paratexts. Thresholds of Interpretation. From Literature, Culture, Theory 20 Series. Cambridge: Cambridge University Press.
Gussow , Mel (1984) ‘It Is Out of This Violence I Have Always Written’. Interview with V. S. Naipaul, 16 September, New York Times, www. nytimes.com/books/98/06/07/specials/naipaul-violence.html [accessed 15/04 /02].
Kitch, Carolyn (2001) The Girl on the Magazine Cover. The Origins of Visual Stereotypes in American Mass Media. Chapel Hill: University of North Carolina Press.
Legat, Michael (1982) An Author’s Guide to Publishing. London: Robert Hale.
Lewis, Jeremy (1995) Kindred Spirits. Adrift in Literary London. London: Harper Collins.
Matthews, Nicole (2007) ‘Introduction’, in Nicole Matthews and Nickianne Moody (eds) Judging a Book by Its Cover. Fans, Publishers, Designers, and the Marketing of Fiction. Hampshire: Ashgate.
Matthews, Nicole and Nickianne Moody (2007) Judging a Book by Its Cover. Fans, Publishers, Designers, and the Marketing of Fiction. Hampshire: Ashgate.
McKenzie, D. F. (1999) Bibliography and the Sociology of Texts. Cambridge: Cambridge University Press.
Moody, Nickianne (2007) ‘Empirical Studies of the Bookshop: Context and Participant Observation in the Study of Selling and Marketing of Science Fiction and Fantasy’, in Nicole Matthews and Nickianne Moody (eds) Judging a Book by Its Cover. Fans, Publishers, Designers, and the Marketing of Fiction. Hampshire: Ashgate.
Nambisan, Kavery. (2010) ‘Books’. Writing with the Scapel. 10 February, http://kaverynambisan.blogspot.com/?psinvite=ALRoptXfmcVI43fazyNLq8vHjaoZVQrpwwARF4EuSYWQhlHKO2sDyzq7M8_WA180DHLF gtgxgo7n_T9UWWEagFQHOEnoMwXlbA [accessed 24/02/10].
Orsini, Francesca. (2000) ‘India in the Mirror of World Fiction’. New Left Review, 13: 75–88.
Pears, Pamela (2007) ‘Images, Messages and the Paratext in Algerian Women’s Writing’, in Nicole Matthews and Nickianne Moody (eds) Judging a Book by Its Cover. Fans, Publishers, Designers, and the Marketing of Fiction. Hampshire: Ashgate.
Phillips, Angus (2007) ‘How Books Are Positioned in the Market: Reading the Cover’, in Nicole Matthews and Nickianne Moody (eds) Judging a Book by Its Cover. Fans, Publishers, Designers, and the Marketing of Fiction. Hampshire: Ashgate.
Pickford, Susan (2007) ‘Jerome K. Jerome and the Paratextual Staging of Anti-elitism’, in Nicole Matthews and Nickianne Moody (eds) Judging a Book by Its Cover. Fans, Publishers, Designers, and the Marketing of Fiction. Hampshire: Ashgate.
Powers, Alan (2001) Front Covers. Great Book Jackets and Cover Design. London: Mitchell Beazley, imprint of Octopus Publishing Group.
Resnick, Laura (2007) A Book by Its Cover, www.sff.net/people/laresnick/About%20Writing/Book%20Covers.htm [accessed 10/05/10]
Sky, Melissa (2007) “Cover Charge: Selling Sex and Survival in Lesbian Pulp Fiction.” ‘in Nicole Matthews and Nickianne Moody (eds) Judging a Book by Its Cover. Fans, Publishers, Designers, and the Marketing of Fiction. Hampshire: Ashgate.
Squires, Clare (2009) Marketing Literature. The Making of Contemporary Writing in Britain. Hampshire: Palgrave Macmillan.
Stevenson, Randall (2004) The Oxford English Literary History. Vol 12. 1960–2000. The Last of England? Oxford: Oxford University Press.
Thorpe, Vanessa (2005) ‘Booker Covered in Glory’, The Guardian, 14 August, www.guardian.co.uk/uk/2005/aug/14/bookerprize2005.books [accessed 28/07/11].
Weedon, Alexis (2007) ‘In Real Life: Book Covers in the Internet Bookstore’ in Nicole Matthews and Nickianne Moody (eds) Judging a Book by Its Cover. Fans, Publishers, Designers, and the Marketing of Fiction. Hampshire: Ashgate.
Copyright information
© 2015 Lisa Lau and E. Dawson Varughese
About this chapter
Cite this chapter
Lau, L. (2015). Contextualising Book Covers and Their Changing Roles. In: Indian Writing in English and Issues of Visual Representation: Judging More than a Book by Its Cover. Palgrave Macmillan, London. https://doi.org/10.1057/9781137474223_1
Download citation
DOI: https://doi.org/10.1057/9781137474223_1
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-349-50151-9
Online ISBN: 978-1-137-47422-3
eBook Packages: Palgrave Literature CollectionLiterature, Cultural and Media Studies (R0)