Abstract
Over the past 15 years research has documented many assessment strategies for higher education. In music the emphasis has been on developing reliable assessment measures for instrumental performance such as multi-dimensional rubrics for practical examinations. While music education research has demonstrated novel assessment practices in primary and secondary settings, few studies report on innovative approaches to assessment in higher education. These include self-assessment in Concert Practice and individual lessons, peer assessment using well-developed criteria and student panels, reflective journals that help students to articulate their knowledge, and group work to develop teamwork and presentation skills. This review of music assessment literature challenges engrained attitudes towards assessment of classical instrumental music learning and encourages the embracing of innovative practices already trialled in higher music education such as initiating a broader range of evaluation tasks, engaging students in the development of assessment criteria, using technology and recording for self- and peer evaluation, and helping students to develop graduate attributes for the twenty-first century.
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Acknowledgements
Part of this paper was presented at the 18th International Seminar of the Commission for the Education of the Professional Musician (CEPROM) of the International Society for Music Education (ISME) in Shanghai, China, 27–30 July 2010.
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Zhukov, K. (2015). Challenging Approaches to Assessment of Instrumental Learning. In: Lebler, D., Carey, G., Harrison, S. (eds) Assessment in Music Education: from Policy to Practice. Landscapes: the Arts, Aesthetics, and Education, vol 16. Springer, Cham. https://doi.org/10.1007/978-3-319-10274-0_5
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