Skip to main content

Assessment and Feedback in Curricula Design for Contemporary Vocal Studies

  • Chapter
  • First Online:
Assessment in Music Education: from Policy to Practice

Part of the book series: Landscapes: the Arts, Aesthetics, and Education ((LAAE,volume 16))

Abstract

Music education now occurs in diverse settings and often to groups of students. Adopting a developmental approach to learning, student achievement in group contexts can be realised in assessment practices and in a range of artefacts. Assessment tasks and measures can be designed in ways to facilitate learning for the individual student within a developmental continuum. For a developmental approach to be effective, feedback on achievement needs to facilitate a level of student autonomy in learning. Reflective practices engage students in ways that complement practical and creative curriculum components. Reflective practices, including critical listening and analyses, also support aspects of self-directed learning. This chapter details the ways in which multidimensional assessment design and feedback strategies are aligned to learning outcomes in tertiary level contemporary vocal studies for foundation, intermediate and advanced levels of study. These three levels of study form a suite of units for second year (foundation and intermediate) and third year (advanced) university students. Unit content is delivered in a series of lectures and practical learning occurs in group tutorials. Each level of vocal study has a different curriculum focus and assessment standards have been established in relation to the specific learning outcomes for each unit. Assessment tasks, both practical and written, have been designed to underpin the complexity and diversity of contemporary vocals. The chapter concludes with detailing the assessment and feedback strategies embedded in each of the units of contemporary vocal studies.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 109.00
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Hardcover Book
USD 139.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Notes

  1. 1.

    Contemporary Music is offered as a Major program of study within a Bachelor of Arts at Macquarie University.

  2. 2.

    This assessment task begins in Week 5 for foundation students and Week 1 for intermediate and advanced students; the journal is submitted towards the conclusion of each respective semester of study.

References

  • Australian Learning and Teaching Council (ALTC). (2010). Learning and Teaching Academic Standards Project: Creative and performing arts, learning and teaching academic standards statement. Sydney, Australia: Australian Learning and Teaching Council.

    Google Scholar 

  • Broomhead, P. (2001). Individual expressive performance: Its relationship to ensemble achievement, technical achievement, and musical background. Journal of Research in Music Education, 49, 7–84.

    Article  Google Scholar 

  • Brophy, T. S. (2005). A longitudinal study of selected characteristics of children’s melodic improvisations. Journal of Research in Music Education, 53(2), 120–133.

    Article  Google Scholar 

  • Callaghan, J. (2000). Singing and voice science. San Diego, CA: Singular Publishing.

    Google Scholar 

  • Clark, I. (2012). Formative assessment: Assessment is for self-regulated learning. Educational Psychology Review, 24(2), 205–249. doi:10.1007/s10648-011-9191-6.

    Article  Google Scholar 

  • Cooksey, J. (2000a). Male adolescent transforming voices: Voice classification, voice skill development, and music literature selection. In L. Thurman & G. Welch (Eds.), Bodymind & voice: Foundations of voice education (pp. 821–841). Collegeville, MN/Iowa City, IA/Minneapolis, MN/London: St John’s University, The VoiceCare Network/The University of Iowa, The National Center for Voice and Speech/Fairview-University Medical Center, Fairview Voice Center/University of Surrey Roehampton, Centre for Advanced Studies in Music Education.

    Google Scholar 

  • Cooksey, J. (2000b). Vocal transformation in male adolescents. In L. Thurman & G. Welch (Eds.), Bodymind & voice: Foundations of voice education (pp. 718–738). Collegeville, MN/Iowa City, IA/Minneapolis, MN/London: St John’s University, The VoiceCare Network/The University of Iowa, The National Center for Voice and Speech/Fairview-University Medical Center, Fairview Voice Center/University of Surrey Roehampton, Centre for Advanced Studies in Music Education.

    Google Scholar 

  • Davies, C. (1986). Say it till a song comes (reflections on songs invented by children 3–13). British Journal of Music Education, 3(3), 279–294.

    Article  Google Scholar 

  • Gackle, L. (2000a). Female adolescent transforming voices: Voice classification, voice skill development, and music literature selection. In L. Thurman & G. Welch (Eds.), Bodymind & voice: Foundations of voice education (pp. 814–820). Collegeville, MN/Iowa City, IA/Minneapolis, MN/London: St John’s University, The VoiceCare Network/The University of Iowa, The National Center for Voice and Speech/Fairview-University Medical Center, Fairview Voice Center/University of Surrey Roehampton, Centre for Advanced Studies in Music Education.

    Google Scholar 

  • Gackle, L. (2000b). Understanding voice transformation in female adolescents. In L. Thurman & G. Welch (Eds.), Bodymind & voice: Foundations of voice education (pp. 739–744). Collegeville, MN/Iowa City, IA/Minneapolis, MN/London: St John’s University, The VoiceCare Network/The University of Iowa, The National Center for Voice and Speech/Fairview-University Medical Center, Fairview Voice Center/University of Surrey Roehampton, Centre for Advanced Studies in Music Education.

    Google Scholar 

  • Green, L. (2006). Popular music education in and for itself, and for ‘other’ music: Current research in the classroom. International Journal of Music Education, 24(2), 101–118. doi:10.1177/0255761406065471.

    Article  Google Scholar 

  • Hanna, W. (2007). The new bloom’s taxonomy: Implications for music education. Arts Education Policy Review, 108(4), 7–16.

    Article  Google Scholar 

  • Hughes, D. (2010). Developing vocal artistry in popular culture musics. In S. Harrison (Ed.), Perspectives on teaching singing: Australian vocal pedagogues sing their stories (pp. 244–258). Bowen Hills, Australia: Australian Academic Press.

    Google Scholar 

  • Hughes, D. (2012, July 10–13). Mediocrity to artistry: Technology and the singing voice. In J. Weller (Ed.), Educating professional musicians in a global context, proceedings of the 19th international seminar of the Commission for the Education of the Professional Musician (CEPROM) International Society for Music Education, Athens, Greece (pp. 60–64). Malvern: International Society for Music Education. http://issuu.com/official_isme/docs/4_ceprom_2012_proceedings_web?viewMode=magazine&mode=embed

  • Hughes, D. (2014). Contemporary vocal artistry in popular culture musics: Perceptions, observations and lived experiences. In S. Harrison & J. O’Bryan (Eds.), Teaching singing in the 21st century. Landscapes: The arts, aesthetics, and education 14 (pp. 287–303). Dordrecht, The Netherlands/Heidelberg, Germany/New York/London: Springer.

    Chapter  Google Scholar 

  • Jaffurs, S. E. (2004). The impact of informal music learning practices in the classroom, or how I learned how to teach from a garage band. International Journal of Music Education, 22(3), 189–200.

    Article  Google Scholar 

  • James, R., McInnis, C., & Devlin, M. (2002). Assessing earning in Australian universities. Melbourne, Australia: Centre for the Study of Higher Education for the Australian Universities Teaching Committee, Melbourne University. http://www.cshe.unimelb.edu.au/assessinglearning/docs/AssessingLearning.pdf. Accessed 24 September 2012.

  • Laurence, F. (2000). Children’s singing. In J. Potter (Ed.), The Cambridge companion to singing (pp. 221–230). Cambridge, UK: Cambridge University Press.

    Chapter  Google Scholar 

  • Lebler, D. (2007). Student-as-master? Reflections on a learning innovation in popular music pedagogy. International Journal of Music Education, 25(3), 205–221. doi:10.1177/0255761407083575.

    Article  Google Scholar 

  • Lebler, D., & Carey, G. (2008, July 15–18). Prior learning of conservatoire students: A popular music perspective. In M. Hannan (Ed.), Educating musicians for a lifetime of learning: Proceedings of CEPROM 17th international seminar of the Commission for the Education of the Professional Musician (CEPROM), Spilamberto, Italy (pp. 67–71). International Society of Music Education (ISME). Available at: http://issuu.com/official_isme/docs/2008-ceprom-proceedings?viewMode=magazine&modecembed

  • Macquarie University. (n.d.). Interpersonal or social capabilities. http://www.mq.edu.au/about_us/strategy_and_initiatives/sustainability/fundamentals/graduate_capabilities/defining_capabilities/interpersonal_or_social_capabilities/. Accessed 4 October 2013.

  • Mason, D. (2000). The teaching (and learning) of singing. In J. Potter (Ed.), The Cambridge companion to singing (pp. 204–220). Cambridge, UK: Cambridge University Press.

    Chapter  Google Scholar 

  • O’Pry, S. C., & Schmacher, G. (2012). New teachers’ perceptions of a standards-based performance appraisal system. Educational Assessment, Evaluation and Accountability, 24(3). doi:10.1007/s11092-012-9148-4. http://link.springer.com/article/10.1007%2Fs11092-012-9148-4. Accessed 22 August 2012.

  • Pascale, L. (2005). Dispelling the myth of the non-singer: Embracing two aesthetics for singing. Philosophy of Music Education Review, 13(2), 165–175.

    Article  Google Scholar 

  • Roland, D. (1997). The confident performer. Sydney, Australia: Currency Press.

    Google Scholar 

  • Thurman, L., & Klitzke, C. A. (2000). Highlights of physical growth and function of voices from pre-birth to age 21. In L. Thurman & G. Welch (Eds.), Bodymind & voice: Foundations of voice (pp. 696–703). Collegeville, MN/Iowa City, IA/Minneapolis, MN/London: St John’s University, The VoiceCare Network/The University of Iowa, The National Center for Voice and Speech/Fairview-University Medical Center, Fairview Voice Center/University of Surrey Roehampton, Centre for Advanced Studies in Music Education.

    Google Scholar 

  • Thurman, L., & Welch, G. (2000). The big picture. In L. Thurman & G. Welch (Eds.), Bodymind & voice: Foundations of voice (pp. 1–6). Collegeville, MN/Iowa City, IA/Minneapolis, MN/London: St John’s University, The VoiceCare Network/The University of Iowa, The National Center for Voice and Speech/Fairview-University Medical Center, Fairview Voice Center/University of Surrey Roehampton, Centre for Advanced Studies in Music Education.

    Google Scholar 

  • Welch, G. (2000). The developing voice. In L. Thurman & G. Welch (Eds.), Bodymind & voice: Foundations of voice (pp. 704–717). Collegeville, MN/Iowa City, IA/Minneapolis, MN/London: St John’s University, The VoiceCare Network/The University of Iowa, The National Center for Voice and Speech/Fairview-University Medical Center, Fairview Voice Center/University of Surrey Roehampton, Centre for Advanced Studies in Music Education.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Diane Hughes .

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2015 Springer International Publishing Switzerland

About this chapter

Cite this chapter

Hughes, D. (2015). Assessment and Feedback in Curricula Design for Contemporary Vocal Studies. In: Lebler, D., Carey, G., Harrison, S. (eds) Assessment in Music Education: from Policy to Practice. Landscapes: the Arts, Aesthetics, and Education, vol 16. Springer, Cham. https://doi.org/10.1007/978-3-319-10274-0_17

Download citation

Publish with us

Policies and ethics