Abstract
The Imagines of the Elder Philostratus must count as one of the great ruins of antiquity.1 From the Renaissance until the time of the excavations at Pompeii and Herculaneum, the Imagines, together with the surviving fragments preserved in Rome, constituted virtually all that could be known in Europe concerning classical painting. Even today, when so much more of that painting has been brought to light, the Imagines remains a unique resource. It is our most extensive account of what a Roman picture gallery, a Roman catalogue of pictures, and the Roman viewing of pictures may have been like. Philostratus claims to base his account in actuality. In the Proem he assures his reader that his 60-odd verbal descriptions are rendered after original paintings (pinakes) housed in a single collection in Neapolis (Naples).
Preview
Unable to display preview. Download preview PDF.
Notes
For a history of the debate, see the following editions: Philostratorum Imagines et Callistrati Statuae, ed. F. Jacobs and F.T. Welcker (Leipzig, 1825);
Flavii Philostrati quae supersunt, ed. C.L. Kayser (1844);
Philostrati Maioris Imagines, ed. O. Benndorf and C. Schenkel (Leipzig, 1893).
Also: K.N. Nemitz, De Philostratorum imaginibus, dissertation (Bratislava, 1875), pp. 1ff.;
E. Bertrand, Philostrate (Paris, 1882), pp. 67ff.;
F. Steinmann, Neue Studien zu den Gemaldebeschreibungen des alteren Philostratus, dissertation (Zurich, Basle, 1914), pp. 1ff.
Karl Lehmann-Hartleben, ‘The Imagines of the Elder Philostratus’, Art Bulletin, XXIII (1941), pp. 16–44; henceforth referred to as ‘Lehmann’.
Leonard Barkan, The Gods Made Flesh: Metamorphosis and the Pursuit of Paganism (New Haven, CT and London: Yale University Press, 1986), p. 4.
On ‘techniques of the self’, see M. Foucault, Le souci de soi (Paris: Gallimard, 1984).
Frances Yates, The Art of Memory (Chicago, IL: University of Chicago Press, 1966), p. 8.
R. Barthes, from ‘The Death of the Author’, in Image-Music-Text, essays selected and translated by Stephen Heath (New York: Hill & Wang, 1977), pp. 145–6.
Editor information
Editors and Affiliations
Copyright information
© 1995 Macmillan Publishers Limited
About this chapter
Cite this chapter
Bryson, N. (1995). Philostratus and the Imaginary Museum. In: Melville, S., Readings, B. (eds) Vision and Textuality. Palgrave, London. https://doi.org/10.1007/978-1-349-24065-4_9
Download citation
DOI: https://doi.org/10.1007/978-1-349-24065-4_9
Publisher Name: Palgrave, London
Print ISBN: 978-0-333-60970-5
Online ISBN: 978-1-349-24065-4
eBook Packages: Palgrave Literature & Performing Arts CollectionLiterature, Cultural and Media Studies (R0)