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  • Textbook
  • © 1995

Vision and Textuality

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Table of contents (19 chapters)

  1. Front Matter

    Pages i-xvii
  2. Part I

    1. Front Matter

      Pages 1-1
    2. General Introduction

      • Stephen Melville, Bill Readings
      Pages 3-28
  3. Part II

    1. Front Matter

      Pages 29-29
    2. Basic Concepts. Of Art History

      • Stephen Melville
      Pages 31-37
    3. Beholding Art History: Vision, Place and Power

      • Griselda Pollock
      Pages 38-66
    4. Past Looking

      • Michael Ann Holly
      Pages 67-89
  4. Part III

    1. Front Matter

      Pages 141-141
    2. Philostratus and the Imaginary Museum

      • Norman Bryson
      Pages 174-194
    3. Armour Fou

      • Hal Foster
      Pages 215-248
  5. Part IV

    1. Front Matter

      Pages 249-249
    2. The Pen and the Eye: The Politics of the Gazing Body

      • Françoise Lucbert
      Pages 251-255
    3. B/G

      • Thomas Crow
      Pages 296-314

About this book

This volume brings together the work of distinguished critics and art historians in order to reflect and assess the impact of current critical theory on the discipline and practice of art history. Centring on the intersection of questions of vision with the problematic of textuality, the book addresses how issues of politics, semiotics, psychoanalysis and historiography have contributed to the emergent terms and practices of the new art histories.

Editors and Affiliations

  • Ohio State University, Columbus, USA

    Stephen Melville

  • Université de Montréal, Canada

    Bill Readings

Bibliographic Information