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Dancing with Bigotry

The Poisoning of Racial and Ethnic Identities

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Dancing with Bigotry

Abstract

As James Baldwin so succinctly points out, many white Americans prefer not to be reminded of the “appallingly oppressive and bloody history” of racism that has characterized the very fabric of U. S. society. In fact many, if not most, white Americans from various ethnic backgrounds would feel extremely uncomfortable if the curriculum in schools incorporated an antiracist pedagogy that asked, “Mirror, mirror on the wall, is everyone welcome in the hall?”

I concluded long ago that they found the color of my skin inhibitory. This color seems to operate as a most disagreeable mirror, and a great deal of one’s energy is expended in reassuring white Americans that they do not see what they see.

This is utterly futile, of course, since they do see what they see. And what they see is an appallingly oppressive and bloody history known all over the world. What they see is a disastrous, continuing, present condition which menaces them, and for which they bear an inescapable responsibility. But since in the main they seem to lack the energy to change this condition they would not be reminding of it.

—James Baldwin1

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Notes

  1. James Baldwin, The Price of the Ticket: Collected Nonfiction 1948–1985 (New York: St. Martin’s/MAREK), p. 409.

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Authors

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Donaldo Macedo Lilia I. Bartolomé

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© 1999 Donaldo Macedo and Lilia I. Bartolomé

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Macedo, D., Bartolomé, L.I. (1999). Dancing with Bigotry. In: Macedo, D., Bartolomé, L.I. (eds) Dancing with Bigotry. Palgrave Macmillan, New York. https://doi.org/10.1007/978-1-137-10952-1_1

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