The popular reception of Einstein’s relativity in Britain
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While the scientific impact of Einstein’s Theory of Relativity has been the subject of numerous historical studies in recent times, the popular coverage of this theory outside the scientific field has not yet been fully examined. Relativity not only revolutionized the sciences but also infiltrated mass culture, its reception varying geographically and continuously changing over time. Recent publications have demonstrated how relativity theory substantially influenced the conceptual development of various non-scientific fields, such as the arts and literature. For instance, Henry (2003) has written on the effect of Einstein’s relativity on the writings of Virginia Woolf, Parkinson (2008) has established the significance of relativity on the Surrealist movement, and Henderson (2008, 2013) has examined its influence on the arts, especially during the 1920s and 1930s. These books challenge the assumed schism between the humanities and sciences by seeking to recoup the interconnections and...
- Henderson, Linda Dalrymple. 2008. Einstein and 20th-century art: A romance of many dimensions. In Einstein for the 21st century: His legacy in science, art, and modern culture, ed. Peter L. Galison, Gerald Holton, and Silvan S. Schweber, 101–129. Princeton: Princeton University Press.Google Scholar
- Henderson, Linda Dalrymple. 2013. The fourth dimension and non-Euclidean geometry in modern art. Cambridge, MA: MIT Press; 2nd ed. with a revised introduction; originally published in 1983.Google Scholar
- Henry, Holly. 2003. Virginia Wolf and the discourse of science: The aesthetics of astronomy. Cambridge: Cambridge University Press.Google Scholar
- Parkinson, Gavin. 2008. Surrealism, art, and modern science: Relativity, quantum mechanics, epistemology. New Haven: Yale University Press.Google Scholar