Abstract
This study examines how newspaper accounts of criminality conceal and illuminate particular types of monstrosity in the postbellum United States. The paper offers an analysis of Gothicism—which typically frames the criminality of marginalized groups—as a technique of racial domination in narrative sites that construct knowledge on criminality and punishment. Analysis reveals a paradoxical lens of Gothicism in which oppressive groups can conceal monstrosity within a colonial context. The analysis of gothic accounts of criminality challenges the ways in which denial shapes modern monstrosity.
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Higgins, E.M., Swartz, K. The Knowing of Monstrosities: Necropower, Spectacular Punishment and Denial. Crit Crim 26, 91–106 (2018). https://doi.org/10.1007/s10612-017-9382-7
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DOI: https://doi.org/10.1007/s10612-017-9382-7