Editors

About the Editor

Mark Grimshaw-Aagaard is the Obel Professor of Music at Aalborg University, Denmark where he is chair of the Music & Sound Knowledge Group. He has a BMus (Hons) from the University of Natal, South Africa, an MSc (Music Technology) from the University of York, UK, and a PhD on the Acoustic Ecology of the First-Person Shooter (which became the first academic monograph on computer game sound) from the University of Waikato, New Zealand. He has published over 80 works ranging from monographs to anthologies to journal articles to music recordings across subjects as diverse as sound, biofeedback in computer games, virtuality, the Uncanny Valley, presence/immersion, and IT systems, and he also writes free, open source software for virtual research environments (WIKINDX). His books include the anthologies Game Sound Technology & Player Interaction (2011) and The Oxford Handbook of Virtuality (2014), and, with co-author Tom Garner, a monograph entitled Sonic Virtuality (2015). A two-volume co-edited anthology, The Oxford Handbook of Sound & Imagination, was published in 2019 as was the co-authored The Recording, Mixing, & Mastering Reference Handbook.