Actor-Network-Theory and Creativity Research

  • Gerald BartelsEmail author
  • Nicolas Bencherki
Living reference work entry
DOI: https://doi.org/10.1007/978-1-4614-6616-1_51-2
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Synonyms

Introduction

Gilles Deleuze (1998) defines creation as the making of configurations – a position close to that, say, of British philosopher Alfred N. Whitehead (see for example Cloots 2001). Studying creativity, therefore, can be understood as the study of the way new relations or connections are established between elements in order to make up new beings, bodies, concepts, products, or things – in the broadest sense of these words. For Deleuze, creativity is not an optional activity; it is instead a necessity: “A creator is not someone who works for pleasure. A creator only does what he absolutely needs” (p. 135). It is also a necessity because it is in the name of his/her creation that the creator may speak. In other words, the configurations that he/she builds consequently entangle and constitute him/her as a subject.

The study of creativity, therefore, is not only the observation of specific moments when people come up...

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Copyright information

© Springer Science+Business Media LLC 2017

Authors and Affiliations

  1. 1.Université de MontréalMontrealCanada
  2. 2.Center for the Sociology of InnovationMines ParisTech UniversityParisFrance

Section editors and affiliations

  • Igor N. Dubina
    • 1
  1. 1.Economic Information SystemsAltai State UniversityBarnaulRussia