This is a preview of subscription content, log in via an institution to check access.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
References
Becker HS. Art as collective action. Am Sociol Rev. 1974;39(6):767–76.
Becker HS. Art worlds. Berkeley: University of California Press; 1982.
Benoit-Barné C. Reflections on science and technology controversies, material recalcitrance and empty reservoirs that suddenly become full. Paper presented at the concerning argument, Washington, DC, 2009.
Bijker WE. Of bicycles, bakelites, and bulbs: toward a theory of sociotechnical change. Cambridge, MA: MIT Press; 1995.
Callon M. Some elements of a sociology of translation: domestication of the scallops and the fishermen of St Brieuc Bay. In: Law J, editor. Power, action and belief: a new sociology of knowledge? London: Routledge; 1986. p. 196–223.
Charrieras D. Trajectories, circulation, assemblages. The heterogeneous modes of endurance of digital arts practice in Montréal. Paper presented at the ISEA 2011. McGill Institute for the Study of Canada Research Workshop, Sept. 23rd 2011.
Cloots A. The metaphysical significance of Whitehead’s creativity. Process Stud. 2001;30(1):36–54.
Cooren F. The communicative achievement of collective minding. Manage Commun Quarter. 2004;17(4):517–51.
Cooren F, Fairhurst GT. Local? Global? No, dislocal: how to scale up from interactions to organization. Paper presented at the The 54th conference of the international communication association, 2004.
Cooren F, Fairhurst GT. Dislocation and Stabilization: How to Scale Up From Interactions to Organizations. Building Theories of Organization: The Constitutive Role of Communication. Eds. L.L. Putnam & A. Nicotera. New York: Routledge, 2009. p. 117–152.
Deleuze G. Qu'est-ce que l'acte de création? Trafic. 1998;27:133–42.
Eco U. The narrative structure in Fleming. In: Del Buono O, Eco U, editors. The bond affair. London: Macdonald; 1965. p. 35–75.
Garfinkel H. Studies in ethnomethodology. Englewood Cliffs: Prentice-Hall; 1967.
Georges F. L'identité numérique sous emprise culturelle. De l'expression de soi à sa standardisation. Les cahiers du numérique. 2011;7(1):31–48.
Gehlen A. Man in the age of technology. New York: Columbia University Press; 1980.
Greimas AJ. On meaning: selected writings in semiotic theory. Minneapolis: University of Minnesota Press; 1987.
Heidegger M. The question concerning technology, and other essays. 1st ed. New York: Harper & Row; 1977.
Hennion A. The production of success: an anti-musicology of the pop song. Popular Music, 3 (ArticleType: research-article/Issue Title: Producers and Markets/Full publication date: 1983/Copyright © 1983 Cambridge University Press), 1983, pp. 159–93.
Hennion A. An intermediary between production and consumption: the producer of popular music. Sci Technol Hum Val. 1989;14(4):400–24.
Hennion A. La mémoire et l'instant. Improvisation sur un thème de Denis Laborde. Tracés. Revue de Sciences humaines. 2010;2010(18):141–52.
Hennion A, Gomart É. A sociology of attachment: music amateurs, drug users. In: Law J, Hassard J, editors. Actor network theory and after. Oxford: Blackwell; 1999.
Innis HA. Empire and communications. Oxford: Clarendon Press; 1950.
Innis HA. The bias of communication. Toronto: University of Toronto Press; 2008.
James W. Essays in radical empiricism. New York: Longman, Green; 1912.
Latour B. Science in action: how to follow scientists and engineers through society. Cambridge, MA: Harvard University Press; 1987.
Latour B. We have never been modern. Cambridge, MA: Harvard University Press; 1993.
Latour B. On interobjectivity. Mind Culture Activity. 1996;3:228–45.
Latour B. Circulating reference: sampling the soil in the Amazon forest. In: Latour B, editor. Pandora’s hope: essays on the reality of science studies. Cambridge, MA: Harvard University Press; 1999a.
Latour B. Pandora’s hope: essays on the reality of science studies. Cambridge, MA: Harvard University Press; 1999b.
Latour B. La fabrique du droit: une ethnographie du Conseil d'État. Paris: La Découverte; 2002.
Latour B. Reassembling the social: an introduction to actor-network-theory. Oxford/New York: Oxford University Press; 2005.
Latour B, Woolgar S. Laboratory life: the social construction of scientific facts. Beverly Hills: Sage Publications; 1979.
MacKenzie D. Material markets: how economic agents are constructed. Oxford: Oxford University Press; 2008.
McLuhan M. Understanding media: The extensions of man. New York: McGraw-Hill; 1965.
Tarde G. Monadologie et sociologie. Chicoutimi: J.-M. Tremblay; 1893.
White L. Medieval technology and social change. Oxford: Clarendon; 1962.
Author information
Authors and Affiliations
Corresponding author
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2013 Springer Science+Business Media LLC
About this entry
Cite this entry
Bartels, G., Bencherki, N. (2013). Actor-Network-Theory and Creativity Research. In: Carayannis, E.G. (eds) Encyclopedia of Creativity, Invention, Innovation and Entrepreneurship. Springer, New York, NY. https://doi.org/10.1007/978-1-4614-3858-8_51
Download citation
DOI: https://doi.org/10.1007/978-1-4614-3858-8_51
Publisher Name: Springer, New York, NY
Print ISBN: 978-1-4614-3857-1
Online ISBN: 978-1-4614-3858-8
eBook Packages: Business and Economics