Introduction
Worldviews among Andean people go back to the very first inhabitants that once entered this vast and complex territory. Early on, people figured out a way to capture the inaccessible by means of material representations. From the Andean hunters, i.e., artists representing a dancing shaman and running camelids in caves, invoking natural powers; to the Inca “tokapus” (textiles containing different signs and colors) exhibited by the elite, sacred art was a link to power and control of human and natural resources.
Early in time, Andean artists were able to find a variety of raw materials to accomplish these handcrafts. Clay, metal, wood, textiles, bones, and even stone were employed and transformed into art. With a few exceptions, almost all objects of nature were represented, both without modification and modified into unreal subjects. Therefore, it is usual to find, for example, plants or animals transformed into humans, and also human beings with bird attributes, etc. From...
This is a preview of subscription content, log in via an institution.
Buying options
Tax calculation will be finalised at checkout
Purchases are for personal use only
Learn about institutional subscriptionsReferences
Aldenderfer, M. 2008. High elevation foraging societies, in H. Silverman & W. H. Isbell (ed.) Handbook of South American archaeology: 131-43. New York: Springer.
Arriaza, B., V. G. Standen, V. Cassman & C.M. Santero. 2008. Chinchorro culture: pioneers of the coast of the Atacama Desert, in H. Silverman & W. H. Isbell (ed.) Handbook of South American archaeology: 45-58. New York: Springer.
Bonavia, D. 1999. Prefacio, in El arte rupestre del antiguo Perú. Lima: IFEA & Institute de recherché pour le dévelopment.
Guffroy, J. 1999. El arte rupestre del antiguo Perú. Lima: IFEA & Institute de recherché pour le dévelopment.
Parenti, F. 1996. Questions about the Upper Pleistocene prehistory in northeastern Brazil: Pedra Furada rock shelter in its regional context. Proceedings of the International Meeting on the Peopling of the Americas. São Raimundo Nonato, Piauí, Brazil, Fumdhamentos 1(1): 15-53.
Raymond, J.S. 2008. The process of sedentism in northwestern South America, in H. Silverman & W. H. Isbell (ed.) Handbook of South American archaeology: 78-90. New York: Springer.
Sepúlveda R., A. Marcela, T. Saintenoy & W. Faundes. 2010. Rock paintings of the Precordillera region of northern Chile. Rock Art Research: The Journal of Australian Rock Art Association 27 (2): 161-75.
Author information
Authors and Affiliations
Corresponding author
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2014 Springer Science+Business Media New York
About this entry
Cite this entry
Leon, E. (2014). Andes: Prehistoric Art. In: Smith, C. (eds) Encyclopedia of Global Archaeology. Springer, New York, NY. https://doi.org/10.1007/978-1-4419-0465-2_1684
Download citation
DOI: https://doi.org/10.1007/978-1-4419-0465-2_1684
Publisher Name: Springer, New York, NY
Print ISBN: 978-1-4419-0426-3
Online ISBN: 978-1-4419-0465-2
eBook Packages: Humanities, Social Sciences and Law