Editorial to: Reading wide, writing wide in the digital age Miriam Llamas Ubieto EditorialNotes 20 March 2017 Pages: 1 - 3
The authoring software tool in digital literature as a vector of the global imaginary Odile Farge OriginalPaper 20 March 2017 Pages: 5 - 14
Digital Literatures circulation: testing post-Bourdieu theories Amelia Sanz OriginalPaper 06 April 2017 Pages: 15 - 25
Postdigital synchronicity and syntopy: the manipulation of universal codes, and the fully automated avantgarde Germán Sierra-Paredes OriginalPaper 27 March 2017 Pages: 27 - 39
Writing–reading devices: intermediations Ana Marques da SilvaSandra Bettencourt OriginalPaper 18 April 2017 Pages: 41 - 54
Poetic fingerprints: digital literature’s countercultural and metamedial integration of vision and touch Diogo Marques OriginalPaper 30 March 2017 Pages: 55 - 64
GIS and telescopic reading: between spatial and digital humanities Enrique Santos Unamuno OriginalPaper 20 March 2017 Pages: 65 - 81
Contemporary Native American realities: in search of literary and cultural sovereignty Sanja RuntićMarija KrivokapićNeil Diamond EditorialNotes 20 March 2017 Pages: 83 - 87
The over-consumption of Native American imagery and the ongoing results for contemporary reality Daniel W. Green OriginalPaper 30 March 2017 Pages: 89 - 98
NO LOGO! Visual sovereignty and the Washington Redsk*ns debate Sanja RuntićLuka Pejić OriginalPaper 15 March 2017 Pages: 99 - 113
California Forgets. Luna Remembers: Sensing contemporary Native American realities in James Luna’s performance Native Stories: For Fun, Profit & Guilt Claudine Armand OriginalPaper 06 April 2017 Pages: 115 - 129
To Ojibwe country and back: Books and Islands in Ojibwe Country by Louise Erdrich Marija Krivokapić OriginalPaper 15 March 2017 Pages: 131 - 145
Ethnic identity in Thomas King’s Green Grass, Running Water Jovana Petrović OriginalPaper 20 March 2017 Pages: 147 - 160
Healing and recuperation in Louise Erdrich’s story “The Bingo Van” Tijana Matović OriginalPaper 14 March 2017 Pages: 161 - 168
Fact versus fiction in Rudy Wiebe’s “Where is the Voice Coming from” Milena Kaličanin OriginalPaper 20 March 2017 Pages: 169 - 176
Part-time identities and full-time narration as an absolution in Alexie’s The Absolutely True Diary of a Part-Time Indian Vanja Vukićević Garić OriginalPaper 23 March 2017 Pages: 189 - 198
Violence, dandyism and the literary self-portraiture of Quentin Crisp Bill Harrison OriginalPaper 07 November 2016 Pages: 199 - 215
Street names in Patrick Modiano’s work: La Place de l’étoile and the case of rue Lauriston France Grenaudier-Klijn OriginalPaper 14 February 2017 Pages: 217 - 227
Postnational homelands: Migration and memory in two novels of Taiwan Mary Goodwin OriginalPaper 19 October 2016 Pages: 229 - 243
What matters for women: discovering Irish women through Maeve Binchy’s “All That Matters” Tsung Chi Chang OriginalPaper 09 January 2017 Pages: 245 - 256
Gambling as a literary subject in Frank Hardy’s work Danica ČerčeOliver Haag OriginalPaper 07 November 2016 Pages: 257 - 270