Skip to main content

Animated Conversations in Nottingham: Disney’s Robin Hood (1973)

  • Chapter
Medieval Afterlives in Popular Culture

Part of the book series: The New Middle Ages ((TNMA))

Abstract

The Walt Disney animated Robin Hood (1973)1 has often been regarded by critics as unimpressive. The influential site Rotten Tomatoes rates it at 55 percent, the lowest among the twenty-six Disney animations released before 1987.2 Various reasons have been alleged for this supposed inferiority. The film has been seen as a small-budget effort made without enthusiasm by Disney’s senior staff after his death in 1966, without the master’s magic input: “You had a pride in the film you were making because he was there… and of course he wasn’t there anymore. There was a vast difference.”3 It was released in the middle of a period when the company’s attention had supposedly turned from animation to its live action films and theme parks. Only seven Disney animated features were made between 1960 and 1980, although there were three part-animated films, including the smash hit Mary Poppins (1964).

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 39.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 54.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 54.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

Notes

  1. Robin Hood, dir. Wolfgang Reitherman (Walt Disney International Studios, 1973). DVD.

    Google Scholar 

  2. Gerald Duchovnay, “Don Bluth,” in Film Voices: Interview from Postscript, ed. Gerald Duchovnay (Albany: SUNY Press, 2004), 145.

    Google Scholar 

  3. John Canemaker, Paper Dreams: The Art and Artists of Disney Storyboards (New York: Hyperion, 1999), 184, citing the recorded interview “Bill Peet to Charles Solomon, November 1985.”

    Google Scholar 

  4. Allan Robin, Walt Disney and Europe (Bloomington: Indiana University Press, 1999), 253.

    Google Scholar 

  5. Stephen Knight and Thomas H. Ohlgren, eds., Robin Hood and Other Outlaw Tales (Kalamazoo: Medieval Institute Publications, 1997), 1.

    Google Scholar 

  6. Howard Pyle, The Merry Adventures of Robin Hood (New York: Scribner, 1883).

    Google Scholar 

  7. Paul Creswick, Robin Hood (Philadelphia: David McKay, 1917).

    Google Scholar 

  8. John Cawley Jr. “Disney Out-Foxed. The Tale of Reynard at the Disney Studio,” in American Classic Screen Features, ed. John C. Tibbets and James M. Welsh (Lanham, Maryland: Scarecrow Press, 2010), 245.

    Google Scholar 

  9. Mark I. Pinsky, The Gospel According to Disney: Faith, Trust and Pixie Dust (Louisville: Westminster John Knox Press, 2004), 98.

    Google Scholar 

  10. Anne M. Scott, Piers Plowman and the Poor (Dublin: Four Courts Press, 2004), 103.

    Google Scholar 

  11. Suzanne Lewis, The Art of Matthew Paris in the Chronica Majora (Berkeley: University of California Press, 1987), 192.

    Google Scholar 

  12. Roland Barthes, The Grain of the Voice, trans. Linda Coverdale (New York: Hill and Wang, 1985), 301.

    Google Scholar 

Download references

Authors

Editor information

Gail Ashton Daniel T. Kline

Copyright information

© 2012 Gail Ashton and Daniel T. Kline

About this chapter

Cite this chapter

Lynch, A. (2012). Animated Conversations in Nottingham: Disney’s Robin Hood (1973). In: Ashton, G., Kline, D.T. (eds) Medieval Afterlives in Popular Culture. The New Middle Ages. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137105172_3

Download citation

Publish with us

Policies and ethics