Abstract
The Walt Disney animated Robin Hood (1973)1 has often been regarded by critics as unimpressive. The influential site Rotten Tomatoes rates it at 55 percent, the lowest among the twenty-six Disney animations released before 1987.2 Various reasons have been alleged for this supposed inferiority. The film has been seen as a small-budget effort made without enthusiasm by Disney’s senior staff after his death in 1966, without the master’s magic input: “You had a pride in the film you were making because he was there… and of course he wasn’t there anymore. There was a vast difference.”3 It was released in the middle of a period when the company’s attention had supposedly turned from animation to its live action films and theme parks. Only seven Disney animated features were made between 1960 and 1980, although there were three part-animated films, including the smash hit Mary Poppins (1964).
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Notes
Robin Hood, dir. Wolfgang Reitherman (Walt Disney International Studios, 1973). DVD.
Gerald Duchovnay, “Don Bluth,” in Film Voices: Interview from Postscript, ed. Gerald Duchovnay (Albany: SUNY Press, 2004), 145.
John Canemaker, Paper Dreams: The Art and Artists of Disney Storyboards (New York: Hyperion, 1999), 184, citing the recorded interview “Bill Peet to Charles Solomon, November 1985.”
Allan Robin, Walt Disney and Europe (Bloomington: Indiana University Press, 1999), 253.
Stephen Knight and Thomas H. Ohlgren, eds., Robin Hood and Other Outlaw Tales (Kalamazoo: Medieval Institute Publications, 1997), 1.
Howard Pyle, The Merry Adventures of Robin Hood (New York: Scribner, 1883).
Paul Creswick, Robin Hood (Philadelphia: David McKay, 1917).
John Cawley Jr. “Disney Out-Foxed. The Tale of Reynard at the Disney Studio,” in American Classic Screen Features, ed. John C. Tibbets and James M. Welsh (Lanham, Maryland: Scarecrow Press, 2010), 245.
Mark I. Pinsky, The Gospel According to Disney: Faith, Trust and Pixie Dust (Louisville: Westminster John Knox Press, 2004), 98.
Anne M. Scott, Piers Plowman and the Poor (Dublin: Four Courts Press, 2004), 103.
Suzanne Lewis, The Art of Matthew Paris in the Chronica Majora (Berkeley: University of California Press, 1987), 192.
Roland Barthes, The Grain of the Voice, trans. Linda Coverdale (New York: Hill and Wang, 1985), 301.
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© 2012 Gail Ashton and Daniel T. Kline
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Lynch, A. (2012). Animated Conversations in Nottingham: Disney’s Robin Hood (1973). In: Ashton, G., Kline, D.T. (eds) Medieval Afterlives in Popular Culture. The New Middle Ages. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137105172_3
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DOI: https://doi.org/10.1057/9781137105172_3
Publisher Name: Palgrave Macmillan, New York
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