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Blackwood’s and the Boundaries of the Short Story

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Romanticism and Blackwood’s Magazine

Abstract

The history of Blackwood’s Edinburgh Magazine is intimately connected to the history of short fiction. For more than 160 years, the magazine consistently promoted and pioneered fiction of all kinds, and during the early decades of the nineteenth century it was by some distance the most significant vehicle for the publication of short stories in Britain. Prior to Blackwood’s emergence, there was a range of material, much of it published in the periodical press, that can be incorporated under the broad umbrella of short fiction. To a large extent, however, these earlier tales and sketches fail to demonstrate the qualities that modern readers and critics have come to expect from the short story: tight plotting, ambiguous endings and the ‘unity of effect’ so beloved of Edgar Allan Poe and later short-story theorists.

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Notes

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© 2013 Tim Killick

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Killick, T. (2013). Blackwood’s and the Boundaries of the Short Story. In: Morrison, R., Roberts, D.S. (eds) Romanticism and Blackwood’s Magazine. Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print. Palgrave Macmillan, London. https://doi.org/10.1057/9781137303851_13

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