Abstract
So read the opening lines of a long poem on one of Jonson’s favorite subjects, written during the Civil War by an anonymous royalist who expresses equal enthusiasm for Charles, Ben and good wine, all the while mocking Roundheads and Puritans ‘Whose best mirth is six shillings beere & Psalmes’ and who think ‘Ther’s Powder treason, in all Spanish Drink’. The poem, apparently unpublished then or later, still lies in a manuscript volume at University College, London, and has not been discussed in print, although it provides useful new data about Jonson’s posthumous reputation as man, poet, drinker and even political thinker — especially since the anonymous writer associates his taste for Jonson and sack with a shared distaste for Puritans. The poem sheds new light on Jonson’s appeal to various wartime factions, and it may thus help us assess more accurately his own political leanings — or at least the ways in which those leanings were perceived by contemporaries.1
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Notes
J. F. Bradley and J. Q. Adams, The Jonson Allusion-Book (New Haven, Conn., 1922)
G. E. Bentley, Shakespeare and Jonson: Their Reputations in the Seventeenth Century Compared, 2 vols (Chicago, 1945), vol. I, p. 12
D. H. Craig, Ben Jonson: The Critical Heritage, 1599–1798 (London, 1990).
M. Kerr, Influence of Ben Jonson on English Comedy, 1598–1642 (New York, 1912).
For examples of how allusions can help illuminate a variety of important social and literary issues, see: D. Armitage, ‘A poem in praise of Ben Jonson’, Notes and Queries, 232 (1987), pp. 230–2
J. R. Barker, ‘A pendant to Drummond of Hawthornderi s Conversations’, Review of English Studies, 16 (1965), pp. 284–8
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P. Simpson, ‘A Westminster schoolboy and Ben Jonson’, Times Literary Supplement, 27 November 1953, p. 761
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See D. M. Bergeron (ed.), Pageants and Entertainments of Anthony Munday: A Critical Edition (New York, 1985), p. ix.
Bergeron cites Collections III: A Calendar of Dramatic Records in the Books of the Livery Companies of London, 1485–1640, eds J. Robertson and D. J. Gordon (Oxford, 1954), p. 63.
See, for example, A. Harbarge, S. Schoenbaum and S. S. Wagonheim, Annals of English Drama, 975–1700, 3rd edn (London, 1989)
D. H. Brock, A Ben Jonson Companion (Bloomington, Ind., 1983)
D. Riggs, Ben Jonson: A Life (London, 1989), p. 113.
See A. H. Nelson (ed.), Records of Early English Drama: Cambridge, 2 vols (Toronto, 1989), vol. I, p. 535 and vol. II, p. 1240.
D. Lumsden et al., ‘Johnson, Robert’, in The New Grove Dictionary of Music and Musicians, ed. S. Sadie, 20 vols (London, 1980), vol. 9, pp. 681–2.
See R. C. Evans, Jonson and the Contexts of His Time (Lewisburg, Pa., 1994), pp. 62–94, esp. pp. 86–94.
J. M. Wasson, Records of Early English Drama: Devon (Toronto, 1986), p. 206.
See K. R. Niland and R. C. Evans, ‘Bolton on Jonson: an ungathered allusion’, Notes and Queries, 239 (1994), p. 517.
R. Cust, ‘News and politics in early seventeenth-century England’, Past and Present, 112 (August 1986), p. 67.
See N. P. Probst and R. C. Evans, ‘Bishop Duppa and Jonson s “Epick Poem”’, Notes and Queries, 240 (1995), pp. 361–3.
A. Marotti, Manuscript, Print, and the English Renaissance Lyric (Ithaca, NY, 1995)
H. Love, Scribal Publication in Seventeenth-Century England (Oxford, 1993).
See, for example, M. Hotine, ‘Ben Jonson, Volpone, and Charterhouse’, Notes and Queries, 236 (1991), pp. 79–81
N. R. Shipley, ‘A possible source for Volpone’, Notes and Queries, 237 (1992), pp. 363–9; and Evans, Jonson and the Contexts of His Time, pp. 45–61.
J. T. Roy, Jr and R. C. Evans, ‘Fane on Jonson and Shakespeare’, Notes and Queries, 239 (1994), pp. 156–8.
I. Donaldson, ’Bartholomew Fair and The Pilgrim’s Progress’, Notes and Queries, 227 (1982), pp. 142–3
G. Fitzgibbon, ‘An echo of “Volpone” in “The Broken Heart”’, Notes and Queries, 220 (June 1975), pp. 248–9
J. Limon, -A Silenc’st Bricke-Layer“: an allusion to Ben Jonson in Thomas Middleton’s masque’, Notes and Queries, 239 (1994), pp. 512–14.
J. A. Bergman, ‘Shakespeare’s “purge” of Jonson, once again’, Emporia State Research Studies, 15 (1966), pp. 27–33
G. Taylor, ‘A new source and an old date for King Lear’, Review of English Studies, 33 (1982), pp. 396–413
C. M. Shaw, The Tempest and Hymenaei, Cahiers Elizabéthains, 26 (1984), pp. 29–39.
R. V. Holdsworth, ‘Early references to plays by Jonson, Shirley, and others’, Notes and Queries, 222 (1977), pp. 208–9.
M. T. Burnett, ‘Behn and Jonson’, Notes and Queries, 237 (1992), pp. 463–4.
See R. Heffner and F. Padelford (eds), Spenser Allusions in the Sixteenth and Seventeenth Centuries, 2 vols (Chapel Hill, NC, 1971–2).
D. C. Judkins, The Non-Dramatic Works of Ben Jonson: A Reference Guide (Boston, 1982)
W. D. Lehrman et al., The Plays of Ben Jonson: A Reference Guide (Boston, 1982).
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Evans, R.C. (1999). Jonsonian Allusions. In: Butler, M. (eds) Re-Presenting Ben Jonson. Early Modern Literature in History. Palgrave Macmillan, London. https://doi.org/10.1057/9780230376724_12
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