Abstract
A member of an elite group of dramatists including Harold Pinter, Alan Ayckbourn, and Tom Stoppard, Peter Shaffer is an internationally recognized and highly acclaimed writer who occupies a privileged position in contemporary British theatre. His work has been consistently performed for over 30 years in subsidized and commercial, metropolitan and provincial, professional and amateur arenas; his plays have scooped the top theatrical and film awards and the world’s finest actors scramble for roles in his dramas which are guaranteed to play to packed houses wherever they are performed. The extraordinary popularity of Peter Shaffer’s work in front of worldwide audiences is, in short, nothing less than a cultural phenomenon.
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Notes
Simon Trussler, ‘General Editor’s Introduction’, in Virginia Cooke and Malcolm Page (eds), File on Shaffer ( London: Methuen, 1987 ), p. 6.
Peter Shaffer, quoted in Oleg Kerensky, The New British Drama: Fourteen Playwrights Since Osborne and Pinter ( London: Hamish Hamilton, 1977 ), p. 58.
John Russell Taylor, Peter Shaffer ( London: Longman, 1974 ), p. 32.
C.J. Gianakaris, Peter Shaffer ( London: Macmillan, 1992 ), p. 106.
Simon Callow, Being an Actor (London: Penguin, 1984), pp. 118–19.
Peter Shaffer, The Public Eye, in Peter Shaffer, Four Plays: The Private Ear, The Public Eye, White Liars, Black Comedy ( London: Penguin, 1981 ), p. 86.
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© 1998 Madeleine MacMurraugh-Kavanagh
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MacMurraugh-Kavanagh, M.K. (1998). Introduction. In: Peter Shaffer Theatre and Drama. Palgrave Macmillan, London. https://doi.org/10.1057/9780230372955_1
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DOI: https://doi.org/10.1057/9780230372955_1
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