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“Shows You Hate (But Watch Anyway)”: The Dark Side of Online Criticism

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Abstract

Falero discusses the darker side of online criticism, particularly the ways that Television Without Pity fostered and encouraged what has been called “anti-fan” behavior. The site’s motto, “spare the rod, spoil the network,” was taken up by many members. These very critical viewers were part of the emergence of “hate watching” a program, viewing for the purpose of harsh, unrelenting criticism. Falero discusses the ritual of “hate watching” and how the ensuing discussion online surprised many television industry insiders who explored the message boards looking for fans. Reality television programs in particular allowed for a complex critical environment, where members sometimes hurled personal insults at television program cast members and then had to deal with the fallout when some of them later joined the discussion.

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Notes

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    Sarah Bunting, personal interview with author, 1 October 2002.

  2. 2.

    Maria Aspan, “TV is Now Interactive, Minus Images, on the Web,” The New York Times, last modified 20 July 2006, accessed 25 July 2006, http://www.nytimes.com/2006/07/08/arts/television/08fans.html?pagewanted=print&_r=0

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    Grace Bradberry, “Get A Shave, Carter,” The Guardian, 4 January 2003, accessed 20 September 2006, http://www.theguardian.com/theobserver/2003/jan/05/features.review47

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    Jonathan Gray, “Antifandom and the Moral Text: Television Without Pity and Textual Dislike,” The American Behavioral Scientist vol. 48 no. 7, (2005), 840.

  5. 5.

    Jonathan Gray, “New Audiences, New Textualities: Anti-fans and Non-Fans,” International Journal of Cultural Studies, v. 6, no. 1 (2003). 71.

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    Erin E. Buckels, Paul D. Trapnell, Delroy L. Paulhus, “Trolls Just Want to Have Fun,” Personality and Individual Differences vol. 67 (September 2014) 97–102.

  7. 7.

    David Denby, Snark: It’s Mean, It’s Personal, and It’s Ruining Our Conversation, (New York: Simon and Schuster, 2009) 5.

  8. 8.

    David Denby, Snark: It’s Mean, It’s Personal, and It’s Ruining Our Conversation, (New York: Simon and Schuster, 2009) 11.

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    Alex Wexelblatt “An Auteur in the Age of the Internet: JMS, Babylon 5, and the Net” in Hop on Pop: The Politics and Pleasures of Popular Culture, Henry Jenkins, Tara McPherson, and Jane Shattuc, eds. (Durham: Duke University Press, 2002), 209.

  10. 10.

    Jonathan Gray, “Antifandom and the Moral Text: Television Without Pity and Textual Dislike,” American Behavioral Scientist vol. 48 no. 7, (2005), 845.

  11. 11.

    Jonathan Gray, “Antifandom and the Moral Text: Television Without Pity and Textual Dislike,” American Behavioral Scientist vol. 48 no. 7, (2005), 840.

  12. 12.

    Jonathan Gray, “Antifandom and the Moral Text: Television Without Pity and Textual Dislike,” American Behavioral Scientist vol. 48 no. 7, (2005), 849.

  13. 13.

    Jonathan Gray, “Antifandom and the Moral Text: Television Without Pity and Textual Dislike,” American Behavioral Scientist vol. 48 no. 7, (2005), 849.

  14. 14.

    Jonathan Gray, “Antifandom and the Moral Text: Television Without Pity and Textual Dislike,” American Behavioral Scientist vol. 48 no. 7, (2005), 850.

  15. 15.

    Jonathan Gray, “New Audiences, New Textualities: Anti-fans and Non-Fans,” International Journal of Cultural Studies, v. 6, no. 1 (2003): 72.

  16. 16.

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  17. 17.

    Grace Bradberry, “Get A Shave, Carter,” The Guardian, 4 January 2003, accessed 20 September 2006, http://www.theguardian.com/theobserver/2003/jan/05/features.review47

  18. 18.

    Derek Johnson, “Fan-tagonism: Factions, Institutions, and Constitutive Hegemonies of Fandom,” in Fandom: Identities and Communities in a Mediated World, (New York: New York University Press, 2007): 292.

  19. 19.

    “Retcon” is short for “retroactive continuity” and is a narrative device that attempts to reconstruct or reinterpret past events by introducing new information. Often it can be quite drastic, such as when Dallas writers “retconned” an entire season by revealing that it was a dream.

  20. 20.

    Jane Espenson, “Bobbing for Bad Apples” JaneEspenson.com, last modified 18 June 2006, accessed 20 September 2006, http://www.janeespenson.com/archives/00000129.php

  21. 21.

    Derek Johnson, “Fan-tagonism: Factions, Institutions, and Constitutive Hegemonies of Fandom,” in Fandom: Identities and Communities in a Mediated World, (New York: New York University Press, 2007): 293–94.

  22. 22.

    Tim Goodman, “Tim Goodman on TV’s Newest Trend: Hatewatching,” The Hollywood Reporter, last modified 5 February 2013, accessed 20 October 2013, http://www.hollywoodreporter.com/bastard-machine/hate-watching-smash-is-latest-418392

  23. 23.

    Darren Franich, “The Rise of Hate-Watching: Which TV Shows do you Love to Despise?,” Entertainment Weekly, last modified 16 August 2012, accessed 20 October 2013, http://www.ew.com/article/2012/08/16/newsroom-smash-glee-hatewatch

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Falero, S.M. (2016). “Shows You Hate (But Watch Anyway)”: The Dark Side of Online Criticism. In: Digital Participatory Culture and the TV Audience. Palgrave Macmillan, London. https://doi.org/10.1057/978-1-137-50000-7_5

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