Skip to main content
SpringerLink
Log in

Creative Economies and Industries in Peripheral Regions

  • Chapter
  • First Online:
Creative Economies in Peripheral Regions

Abstract

Defining and measuring the creative economy and industries is challenging with different perspectives pervading research and policy. Different measures and models attempt to measure the growing contribution creative economies and industries make to national economies. Taking our inspiration from Oxford Economics definition of the creative economy we divide creative industries into three distinct categories – creative application, creative expression and creative technology. Key drivers of the creative economy are increased demand for creative produce, changes in the way we produce and new modes of consumption (digitalisation and prosumers). These drivers open opportunities for creative industries in peripheral regions and have benefits beyond the economic. The creative economy and industries in peripheral regions have some distinct and nuanced differences than those in urban settings and play a role in the social, cultural and economic sustainability of their place.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Log in via an institution
Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 99.00
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 129.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 129.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Notes

  1. 1.

    https://books.google.com/ngrams/graph?content=Creative+Economy&year_start=1950&year_end=2006&corpus=15&smoothing=1&share=&direct_url=t1%3B%2CCreative%20Economy%3B%2Cc0

  2. 2.

    In Chapter 3 we will have the opportunity to explore these further in the context of our case-study regions.

Bibliography

  • Americans for the Arts. 2004. Creative Industries Study. Washington, DC.

    Google Scholar 

  • Andersen, B., R. Kozul-Wright, and Z. Kozul-Wright. 2007. Rents, rights n’rhythm: Cooperation, conflict and capabilities in the music industry. Industry & Innovation 14(5): 513–540.

    Article  Google Scholar 

  • Andersen, L. 2010. Magic light, silver city: The business of culture in Broken Hill. Australian Geographer 41(1): 71–85.

    Article  Google Scholar 

  • Anderson, A. R., Wallace, C., and Townsend, L. 2015. Great expectations or small country living? Enabling small rural creative businesses with ICT. Sociologia Ruralis 36(3): 450–468.

    Google Scholar 

  • Anwar McHenry, J. 2011. Rural empowerment through the arts: The role of the arts in civic and social participation in the Mid West region of Western Australia. Journal of Rural Studies 27(3): 245–253.

    Article  Google Scholar 

  • Bain, A., and H. McLean. 2013. The artistic precariat. Cambridge Journal of Regions, Economy and Society 6(1): 93–111.

    Article  Google Scholar 

  • Bakhshi, H., A. Freeman, and P. Higgs. 2013. A dynamic mapping of the UK’s creative industries. London: NESTA.

    Google Scholar 

  • Bakhshi, H., and G. Windsor. 2015. The creative economy and the future of employment. London: Nesta.

    Google Scholar 

  • Banks, M. 2007. The politics of cultural work. Basingstoke: Palgrave Macmillan.

    Book  Google Scholar 

  • Belk, Russell W., and Ronald Groves. 1999. Marketing and the multiple meanings of Australian aboriginal art. Journal of Macromarketing 19(1): 20–33.

    Article  Google Scholar 

  • Bell, D. and Jayne, M. 2006. Small cities: Urban experience beyond the metropolis. London: Routledge.

    Google Scholar 

  • Benghozi, P.J, E. Salvador, and J. P. Simon. 2015. Models of ICT innovation: A focus on the cinema sector. Brussels: JRC Science and Policy Report.

    Google Scholar 

  • Bennett, D. 2010. Creative migration: A Western Australian case study of creative artists. Australian Geographer 41(1): 117–128.

    Article  Google Scholar 

  • Bennett, S., S. McGuire, and R. Rahman. 2015. Living hand to mouth: Why the Bohemian lifestyle does not lead to wealth creation in peripheral regions? European Planning Studies 23(12): 2390–2403.

    Article  Google Scholar 

  • Bertacchini, E., and P. Borrione. 2013. The geography of the Italian creative economy: The special role of the design and craft based industries. Regional Studies 47(2): 135–147.

    Article  Google Scholar 

  • BOP Consulting. 2009. Creative clusters 2008 conference report. London: BOP Consulting.

    Google Scholar 

  • Borén, T., and C. Young. 2013. Getting creative with the ‘Creative City’? Towards new perspectives on creativity in urban policy. International Journal of Urban and Regional Research 37(5): 1799–1815.

    Article  Google Scholar 

  • Bourdieu, Pierre. 1984. Distinction: A social critique of the judgement of taste. Cambridge, MA: Harvard University Press.

    Google Scholar 

  • Bowman, S., and C. Willis. 2003. We media. API Media Center paper. Retrieved 15 September 2015, from http://www.hypergene.net/wemedia/download/we_media.pdf.

  • Boyd, D. 2006. Friends, friendsters, and top 8: Writing community into being on social network sites. First Monday 11(12).

    Google Scholar 

  • Boyd, D. 2008a. Facebook's privacy trainwreck: Exposure, invasion, and social convergence. Convergence 14(1),13–20.

    Article  Google Scholar 

  • Boyd, D. 2008b. Taken out of context: American teen sociality in networked publics. Berkeley: University of California.

    Google Scholar 

  • Boyle, M. 2006. Culture in the rise of tiger economies: Scottish expatriates in Dublin and the ‘creative class’ thesis. International Journal of Urban and Regional Research 30(2): 403–426.

    Article  Google Scholar 

  • Breslin, J. G., Card, D., Dabrowski, M. and Mulligan, M. 2014. Sizing the EU App Economy: Eurapp Final Report, Directorate-General for Communications Networks, Content and Technology, European Commission.

    Google Scholar 

  • Broadcast Music Incorporated. 2015. BMI reports record-breaking revenues of over $1 Billion. Retrieved 14 September 2015, from http://www.bmi.com/press/entry/572180.

  • Brown, J. 2015. Home from home? Locational choices of international ‘Creative Class’ workers. European Planning Studies 23(12): 2336–2355.

    Article  Google Scholar 

  • Bruns, A. 2007. Produsage. Proceedings of the 6th ACM SIGCHI conference on Creativity & cognition – C&C ‘07.

    Google Scholar 

  • Caves, R. E. 2000. Creative industries: Contracts between art and commerce. London: Harvard University Press.

    Google Scholar 

  • CCI. 2013. Creative industries statistical analysis for Western Australia (Report for Department of Culture and Arts). Queensland: CCI.

    Google Scholar 

  • Christen, K. 2006. Tracking properness: Repackaging culture in a remote Australian town. Cultural Anthropology 21(3): 416–446.

    Article  Google Scholar 

  • Clare, K. 2013. The essential role of place within the creative industries: Boundaries, networks and play. Cities 34, 52–57.

    Google Scholar 

  • Christopherson, S. 2008. Beyond the self-expressive creative worker: An industry perspective on entertainment media. Theory, Culture & Society December 25(7): 73–95.

    Article  Google Scholar 

  • Clark, D. 2009. Crunching creativity: An attempt to measure creative employment. Creative Industries Journal 2(3): 217–230.

    Article  Google Scholar 

  • Clifton, N., and P. Cooke. 2009. Creative knowledge workers and location in Europe and North America: A comparative review. Creative Industries Journal 2(1): 73–89.

    Article  Google Scholar 

  • Collins, P. 2007. Information age Ireland: The attraction, the reality and never ending geography. European Planning Studies 15(1): 67–86.

    Article  Google Scholar 

  • Collins. Forthcoming. Measuring the extra economic impacts of festivals and event. European Urban and Regional Studies.

    Google Scholar 

  • Collins, P, Cunningham, J and Murtagh, A. 2013. The creative edge policy toolkit: Supporting the Development of the Creative Economy in Europe’s Northern Periphery. Galway: Creative Edge.

    Google Scholar 

  • Collis, C., S. Freebody, and T. Flew. 2013. Seeing the outer suburbs: Addressing the urban bias in creative place thinking. Regional Studies 47(2): 148–160.

    Article  Google Scholar 

  • Comunian, R., and A. Faggian. 2014. creative graduates and creative cities: exploring the geography of creative education in the UK. International Journal of Cultural and Creative Industries 1(2): 18–34.

    Google Scholar 

  • Comunian, R., Faggian, A. and Jewell, S. 2011. Winning and losing in the creative industries: An analysis of creative graduates' career opportunities across creative disciplines. Cultural Trends 20(3–4): 291–308.

    Article  Google Scholar 

  • Connell, J., and C. Gibson. 2013. Mobilizing music festivals for rural transformation: Opportunities and ambiguities. In The globalization of musics in transit: Music migration and tourism, eds. S. Kruger and R. Trandafoiu, 115–134. New York: Routledge.

    Google Scholar 

  • Criteo. 2015. State of mobile commerce: Growing like a weed. Criteo. Available at: http://www.criteo.com/media/1894/criteo-state-of-mobile-commerce-q1-2015-ppt.pdf (Accessed June 2016).

  • Cunningham, S. 2002. From cultural to creative industries: Theory, industry, and policy implications. Media International Australia Incorporating Culture and Policy: Quarterly Journal of Media Research and Resources 102: 54–65.

    Google Scholar 

  • Cunninghman, S. 2009. Trojan horse or Rorschach blot? Creative industries discourse around the world. International Journal of Cultural Policy 15(4): 375–386.

    Article  Google Scholar 

  • Cunninghman, S. 2013. Hidden innovation: Policy, industry and the creative sector. Queensland: University of Queensland Press.

    Google Scholar 

  • Currah, A. 2007. Hollywood, the internet and the world: A geography of disruptive innovation. Industry & Innovation 14(4): 359–384.

    Article  Google Scholar 

  • Curran, D, and C. Van Egeraat. 2010. Defining and valuing dublin’s creative industries. Dublin: Office of International Relations and Research, Dublin City Council.

    Google Scholar 

  • Curtis, R. A. 2010. Australia’s Capital of Jazz? The (re)creation of place, music and community at the Wangaratta Jazz Festival. Australian Geographer 41(1): 101–116.

    Article  Google Scholar 

  • Daniel, R. 2014a. Building the northern Australia vision through creative industries: The case of Cairns in far north Queensland. Creative Industries Journal 7(2): 134–147.

    Article  Google Scholar 

  • De Beukelaer, C. 2015. Developing cultural industries: Learning from the palimpsest of practice. Amsterdam: European Cultural Foundation.

    Google Scholar 

  • De Propris, L., C. Chapain, P. Cooke, S. MacNeill, and J. Mateos-García. 2009. The geography of creativity. London: NESTA.

    Google Scholar 

  • Denis-Jacob, J. 2012. Cultural industries in small-sized Canadian cities dream or reality? Urban Studies 49(1): 97–114.

    Article  Google Scholar 

  • Department of Culture Media and Sport (DCMS). 1998. Creative industries mapping document. London: DCMS.

    Google Scholar 

  • Department of Culture Media and Sport. 2001. Creative industries mapping document. London: DCMS.

    Google Scholar 

  • Department of Culture Media and Sport. 2005. Creative industries economic estimates statistical bulletin. London: Department for Culture, Media and Sport.

    Google Scholar 

  • Department of Culture Media and Sport. 2010. December 2011 Creative Industries Economic Estimates (Experimental). http://www.culture.gov.uk/publications/7634.aspx

  • Department of Culture Media and Sport. 2015. Creative industries: Focus on employment, June 2015. London: DCMS.

    Google Scholar 

  • DiMaggio, P. 2014. the internet’s influence on the production and consumption of culture: Creative destruction and new opportunities. In Francisco Gonzalez (Ed.), 19 key essays on how internet is changing our lives, 359–396. Madrid: BBVA.

    Google Scholar 

  • Donald, J. 2004. What’s new? A letter to Terry Flew. Continuum 18(2): 235–246.

    Article  Google Scholar 

  • Ernst and Young. 2014. Measuring cultural and creative markets in the EU. Brussels: European Grouping of Societies of Authors and Composers.

    Google Scholar 

  • Ernst and Young. 2015. Cultural times: The first global map of cultural and creative industries. Paris: CISAC.

    Google Scholar 

  • European Commission. 2010. Unlocking the potential of cultural and creative industries. Brussels: European Commission.

    Google Scholar 

  • EUROSTAT. 2015. Information society statistics - households and individuals. Retrieved 14 September 2015, from http://ec.europa.eu/eurostat/statistics-explained/index.php/Information_society_statistics_-_households_and_individuals (Accessed July 2016).

  • Felton, E., and C. Collis. 2012. Creativity and the Australian suburbs: The appeal of suburban localities for the creative industries workforce. Journal of Australian Studies 36(2): 177–190.

    Article  Google Scholar 

  • Felton, E., C. Collis, and P. Graham. 2010. Making connections: Creative industries networks in outer-suburban locations. Australian Geographer 41(1): 57–70.

    Article  Google Scholar 

  • Fletcher, K. 2010. Slow Fashion: An invitation for Systems change. Fashion Practice 2(2): 259–266.

    Google Scholar 

  • Flew, T. 2012. The Creative industries: Culture and policy. London: SAGE.

    Google Scholar 

  • Flew, T. 2013. Global creative industries. Cambridge; Malden, MA: Polity Press.

    Google Scholar 

  • Freeman, A. 2004. London’s creative sector. 2004 update. London: Greater London Authority.

    Google Scholar 

  • Garnham, N. 2005. From cultural to creative industries. International Journal of Cultural Policy 11(1): 15–29.

    Article  Google Scholar 

  • Gibson, C. 2010. Guest Editorial – Creative Geographies tales from the margins. Australian Geographer 41(1): 1–10.

    Article  Google Scholar 

  • Gibson, C., and J. Connell. 2004. Cultural industry production in remote places: Indigenous popular music in Australia. In Cultural Industries and the Production of Culture, eds. D. Power and A. Scott, 243–258. London and New York: Routledge.

    Google Scholar 

  • Gibson, C., and L. Kong. 2005. Cultural economy: A critical review. Progress in Human Geography 29(5): 541–561.

    Article  Google Scholar 

  • Greenberg, J. 2015. Humans are Tech’s next big thing—and that could be risky, Wired Magazine 24th of June 2015. https://www.wired.com/2015/06/apple-news-twitter-facebook/

  • Hansen, H. K., and T. Niedomysl. 2008. Migration of the creative class: Evidence from Sweden. Journal of Economic Geography 9(2): 191–206.

    Article  Google Scholar 

  • Heravi, B. R., N. Harrower, and M. Boran. 2014. Social journalism survey: First national study on Irish journalists’ use of social media. HuJo, Insight Centre for Data Analytics, National University of Ireland, Galway.

    Google Scholar 

  • Herslund, L. 2012. The rural creative class: Counterurbanisation and entrepreneurship in the Danish countryside. Sociologia Ruralis 52(2): 235–255.

    Article  Google Scholar 

  • Hesmondhalgh, D. 2002. The cultural industries. London: Sage.

    Google Scholar 

  • Higgs, P., and S. Cunningham. 2008. Creative industries mapping: Where have we come from and where are we going? Creative Industries Journal 1(1): 7–30.

    Article  Google Scholar 

  • Hirsch, P., and D. Gruber. 2015. Digitizing fads and fashions: Disintermediation and glocalized markets in creative industries. In The oxford handbook of creative industries, eds. C. Jones, M. Lorenzen, and J. Sapsed, 421–438. Oxford: Oxford University Press.

    Google Scholar 

  • Hirschman, E. C., and Holbrook, M. B. 1982. Hedonic consumption: emerging concepts, methods and propositions. The Journal of Marketing, July 92–101.

    Google Scholar 

  • Horkheimer, M., and T. W. Adorno. 2001: 2009. The culture industry: Enlightenment as mass deception. In Media and Cultural Studies: Keywords, 41. Oxford: Blackwell Publishing.

    Google Scholar 

  • Howard, P. N., A. Duffy, D. Freelon, M. M. Hussain, W. Mari, and M. Maziad. 2011. Opening closed regimes: What was the role of social media during the Arab Spring? Available at SSRN 2595096.

    Google Scholar 

  • IHS. 2015. Smartphones and tablets transforming the audio market landscape, IHS Says. Retrieved 21 September 2015, from https://technology.ihs.com/546320/smartphones-and-tablets-transforming-the-audio-market-landscape-ihs-says.

  • Ii, B. J. P., and J. H. Gilmore. 1999. Experience economy-work is theatre & every business a stage. Cambridge, MA: Harvard business school press.

    Google Scholar 

  • Interactive Media in Retail Group (IMRG). 2015. Has mobile penetration plateaued? Retrieved 22 September 2015, from http://www.imrg.org/index.php?catalog=2272.

  • International Federation of the Phonographic Industry (IFPI). 2015. IFPI Digital Music Report: Charting the path to Sustainable Growth. London: IFPI.

    Google Scholar 

  • Isaacson, W. 2014. The innovators: How a group of hackers, geniuses, and geeks created the digital revolution. New York: Simon and Schuster.

    Google Scholar 

  • Jones, C., Lorenzen, M. and Sapsed, J. 2015. Creative Industries: A typology of change. The Handbook of Creative Industries, 3–32. Oxford: Oxford University Press.

    Google Scholar 

  • Kaplan, A., and M. Haenlein. 2010. Users of the world, unite! The challenges and opportunities of Social Media. Business Horizons 53: 59–68.

    Article  Google Scholar 

  • KEA. 2006. The economy of culture in Europe. Brussels: KEA European Affairs.

    Google Scholar 

  • Konieczny, P. 2007. Wikis and Wikipedia as a teaching tool. International Journal of Instructional Technology and Distance Education, January 4(1): 15–34.

    Google Scholar 

  • Konieczny, P. 2009a. Governance, organization, and democracy on the internet: The iron law and the evolution of wikipedia. Sociological Forum 24: 162–192.

    Article  Google Scholar 

  • Konieczny, P. 2009b. Wikipedia: Community or social movement? Interface: A Journal for and about Social Movements 1(2): 212–232.

    Google Scholar 

  • Konieczny, P. 2012. Wikis and Wikipedia as a teaching tool: Five years later. First Monday Volume 17, Number 9 – 3 September 2012 available at http://firstmonday.org/ojs/index.php/fm/article/view/3583/3313?utm_source=dlvr.it&utm_medium=feed.

  • LaRose, R., J. Gregg, S. Strover, J. Straubhaar, and S. Carpenter. 2007. Closing the rural broadband gap: Promoting adoption of the Internet in rural America. Telecommunications Policy 31: 359–373.

    Article  Google Scholar 

  • LaSalle, D., and T. Britton. 2003. Priceless: Turning ordinary products into extraordinary experiences. Cambridge, MA: Harvard Business Press.

    Google Scholar 

  • Lazzaretti, L., N. Innocenti, and F. Capone. 2015. Does related variety matter for creative industries? Papers in Evolutionary Economic Geography 15(10): 1–17.

    Google Scholar 

  • Lazzaretti, L., and F. Capone. 2015. Narrow or broad definition of cultural and creative industries: some evidence from Tuscany, Italy. International Journal of Cultural and Creative Industries 2(2): 4–19.

    Google Scholar 

  • Leslie, D., T. Brydges, and S. Brail. 2015. Qualifying aesthetic values in the experience economy. In Lorentzen, A., Larsen, K., and Schroder, L. (Eds.,) Spatial dynamics of the Experience Economy, 88–102. London: Routledge.

    Google Scholar 

  • Leurdijk, A., and O. Nieuwenhuis. 2014. The newspaper industry. In Digital Media Worlds; The new media economy, eds. G. De Prato, E. Sanz, and J. P Simon, 147–162. Oxford: Palgrave.

    Chapter  Google Scholar 

  • Luckman, S., C. Gibson, and T. Lea. 2009. Mosquitoes in the mix: How transferable is creative city thinking? Singapore Journal of Tropical Geography 30(1): 70–85.

    Article  Google Scholar 

  • Luckman, S. 2012. Locating cultural work: The politics and poetics of rural, regional and remote creativity. New York: Palgrave MacMillan.

    Book  Google Scholar 

  • Macklemore and Lewis, R. 2012. “The Heist” Alternative Distribution Alliance and Macklemore LLC.

    Google Scholar 

  • MacRobbie, A. 2002. Clubs to companies: Notes on the decline of political culture in speeded up creative worlds. Cultural Studies 16(4): 516–531.

    Article  Google Scholar 

  • Malecki, E. 2003. Digital development in rural areas: Potentials and pitfalls. Journal of Rural Studies 19: 201–214.

    Article  Google Scholar 

  • Mangematin, V., J. Sapsed, and E. Schußler. 2014. Disassembly and reassembly: An introduction to the Special Issue on digital technology and creative industries. Technological Forecasting and Social Change 83: 1–9.

    Article  Google Scholar 

  • Mann, C. 2000. The heavenly jukebox. Atlantic Monthly, September (41).

    Google Scholar 

  • Markusen, A., G. Wassall, D. DeNatale, and R. Cohen. 2008. Defining the creative economy: Industry and occupational approaches. Economic Development Quarterly 22(1): 24–45.

    Article  Google Scholar 

  • Mayes, R. 2010. Postcards from Somewhere: ‘Marginal’ cultural production, creativity and community. Australian Geographer 41(1): 11–23.

    Article  Google Scholar 

  • McDonald, J., and R. Mason. 2015. Creative communities: Regional inclusion & the arts. Bristol: Intellect.

    Google Scholar 

  • McGranahan, D., and T. Wojan. 2007. Recasting the creative class to examine growth processes in rural and urban countries. Regional Studies 41(2): 197–216.

    Article  Google Scholar 

  • McGranahan, D. A., T. R. Wojan, and D. M. Lambert. 2011. The rural growth trifecta: Outdoor amenities, creative class and entrepreneurial context. Journal of Economic Geography 11(3): 529–557.

    Article  Google Scholar 

  • McRobbie, A. 2003. Settling accounts with subcultures: A feminist critique. In Culture: Critical Concepts in Sociology, Volume 3, ed. C. Jenks, 246–258. London: Routledge.

    Google Scholar 

  • Miller, T. 2010. Culture+Labour=Precariat. Communication and Critical/Cultural Studies 7(1): 96–99.

    Article  Google Scholar 

  • Mortimer, J., C. Nosko, and A. Sorensen. 2012. Supply responses to digital distribution: Recorded music and live performances. Information Economics and Policy 24(1): 3–14.

    Article  Google Scholar 

  • Murphy, E., L. Fox-Rodgers, and D. Redmond. 2015. Location decision making of ‘creative industries’: The media and computer game sectors in Dublin, Ireland. Growth and Change 46(1): 97–113.

    Article  Google Scholar 

  • Myers, F. R. 2002. Painting culture: The making of an Aboriginal High Art. London: Duke University Press.

    Book  Google Scholar 

  • Nathan, M., A. Pratt, and A. Rincon-Azner. 2015. Creative economy employment in the EU and UK: A comparative analysis. London: Nesta.

    Google Scholar 

  • NESTA. 2006. Creating Growth-How the UK can develop world class creative business. London: NESTA Research Report.

    Google Scholar 

  • Novak-Leonard, J. 2014. Measuring Chicago’s (Artistically) creative economy. Chicago: Cultural Policy Centre at the University of Chicago.

    Google Scholar 

  • O’Connor, J. 2010. The cultural and creative industries: A literature review. Second Edition. London: Creativity, Culture and Education.

    Google Scholar 

  • Oakley, K. 2004. Not so cool Britannia: The role of the creative industries in economic development. International Journal of Cultural Studies 7(1): 67–77.

    Article  Google Scholar 

  • OECD. 2015. OECD broadband statistics update. Retrieved 26 October 2015, from http://www.oecd.org/sti/broadband/broadband-statistics-update.htm.

  • Office of Communications. 2014. Internet Citizens 2014: Use of selected citizen-related online content and services. London: OFCOM.

    Google Scholar 

  • Open Source Foundation. 2014. Mapping digital media: Global findings. London: OSF.

    Google Scholar 

  • Pew Research Center. 2015. The evolving role of news on Twitter and Facebook. Washington, DC: PEW.

    Google Scholar 

  • Pine, B. J., and J. H. Gilmore. 1999. The experience economy: Work is theatre & every business a stage. Cambridge, MA: Harvard Business Press.

    Google Scholar 

  • Pizam, A. 2010. Creating memorable experiences. International Journal of Hospitality Management 29(3): 343.

    Article  Google Scholar 

  • Pookulangara, S., and A. Shephard. 2013. Slow fashion movement: Understanding consumer perceptions—An exploratory study. Journal of Retailing and Consumer Services 20(2): 200–206.

    Article  Google Scholar 

  • Potts, J., Cunningham, S., Hartley, J., and Ormerod, P. 2008. Social network markets: A new definition of the creative industries. Journal of Cultural Economics 32(3),167–185.

    Article  Google Scholar 

  • Power, D. 2002. ‘Cultural industries’ in Sweden: An assessment of their place in the Swedish economy. Economic Geography 78(2): 103–127.

    Article  Google Scholar 

  • Prahalad, K., and V. Ramaswamy. 2004. Co-Creating unique value with customers. Strategy & Leadership 32(3): 4–9.

    Article  Google Scholar 

  • Pratt, A. C. 2004. The cultural economy a call for spatialized ‘Production of Culture’ perspectives. International Journal of Cultural Studies 7(1): 117–128.

    Article  Google Scholar 

  • Pratt, A. C. 2005. Cultural industries and public policy: An oxymoron? International Journal of Cultural Policy 11(1): 31–44.

    Article  Google Scholar 

  • PWC. 2015. Global entertainment and media outlook 2015–2019. New York: PWC.

    Google Scholar 

  • Ramaswamy, V., and K. Ozcan. 2014. The co-creation paradigm. Stanford: Stanford University Press.

    Google Scholar 

  • Recording Industry Association of America. 2015. News and notes on 2014 RIAA music industry shipment and revenue statistics. Washington, DC: RIAA.

    Google Scholar 

  • Reuters. 2015. Reuters Institute Digital News Report 2015. Oxford: Reuters.

    Google Scholar 

  • Rifkin, J. 2014. The zero marginal cost society; The internet of things, the collaborative commons, and the collapse of capitalism. New York: Palgrave Macmillan.

    Google Scholar 

  • Ritzer, G. 2009. Keynote address: Correcting an historical error. Conference on Prosumption, Frankfurt, Germany, 26–27 March, 2009.

    Google Scholar 

  • Ritzer, G. 2015. Prosumer capitalism. The Sociological Quarterly 56(3): 413–445.

    Article  Google Scholar 

  • Ritzer, G., and N. Jurgenson. 2010. Production, consumption, prosumption: The nature of capitalism in the age of the digital ‘prosumer’. Journal of Consumer Culture 10(1): 13–36.

    Article  Google Scholar 

  • Ritzer, G., Dean, P., and Jurgenson, N. 2012. The coming of age of the prosumer. American Behavioral Scientist 56(4),379–398.

    Article  Google Scholar 

  • Ross, A. 2007. Nice work if you can get it: The mercurial career of creative industries policy. In my creativity reader: A critique of creative industries, eds. G. Lovink and N. Rossiter, 17–40. Amsterdam: Institute of Network Cultures.

    Google Scholar 

  • Rossiter, N. 2004. Creative industries, comparative media theory and the limits of critique from within. Topia: A Canadian Journal of Cultural Studies 11: 21–48.

    Google Scholar 

  • Rothler, D., and K. Wenzlaff. 2011. Crowdfunding schemes in Europe. Brussels: European Expert Network on Culture.

    Google Scholar 

  • Rothmann, W., and J. Koch. 2014. Creativity in strategic lock-ins: The newspaper industry and the digital revolution. Technological Forecasting and Social Change 83: 66–83.

    Article  Google Scholar 

  • Rural Councils Victoria. 2013. Creative industry in rural Victoria. Melbourne: Rural Councils Victoria.

    Google Scholar 

  • Santos Cruz, S., and A. A. C. Teixeira. 2015. The magnitude of creative industries in Portugal: What do the distinct industry-based approaches tell us? Creative Industries Journal 8(1): 85–102.

    Article  Google Scholar 

  • Saperstein, T. 2014. The future of print: Newspapers struggle to survive in the age of technology. Harvard: Harvard Political Review.

    Google Scholar 

  • Schrøder, K. C., and B. Steeg Larsen. 2010. The shifting cross-media news landscape: Challenges for news producers. Journalism Studies 11(4): 524–534.

    Article  Google Scholar 

  • Scott, A. 2001. Capitalism, cities, and the production of symbolic forms. Transactions Institute British Geog 26(1): 11–23.

    Article  Google Scholar 

  • Scott, A. 2004. Cultural-Products industries and urban economic development: Prospects for growth and market contestation in global context. Urban Affairs Review 39(4): 461–490.

    Article  Google Scholar 

  • Scott, A. J. 2010. The cultural economy of landscape and prospects for peripheral development in the twenty-first century: The case of the English Lake District. European Planning Studies 18(10): 1567–1589.

    Article  Google Scholar 

  • Siegel, A., M. Burnside, C. Kester, T. Howes, and K. Robertson. 2012. Retail sustainability report: Successes, challenges, and a vision for the future. Retail Industry Leaders Association.

    Google Scholar 

  • Steiner, M., and F. Prettenthler. 2015. Creativity reconsidered – so your firm is creative, but how much? A trans-sectoral and continuous approach to creative industries. Regional Studies 2(1): 274–288.

    Google Scholar 

  • Stern, M., and S. Seifert. 2008. From creative economy to creative society. Philadelphia: University of Pennsylvania, Social Impact of the Arts Project.

    Google Scholar 

  • Thomas, N., D. Harvey, and H. Hawkins. 2013. Crafting the region: Creative industries and practices of regional space. Regional Studies 47(1): 75–88.

    Article  Google Scholar 

  • Throsby, D. 2001. Defining the artistic workforce: The Australian experience. Poetics 28(4): 255–271.

    Article  Google Scholar 

  • Throsby, D. 2008. The concentric circles model of the cultural industries. Cultural Trends 17(3): 147–164.

    Article  Google Scholar 

  • Toffler, A. 1980. The third wave: The classic study of tomorrow. New York: Bantam.

    Google Scholar 

  • Townley, B., and N. Beech. 2010. Managing creativity: Exploring the paradox. Cambridge: Cambridge University Press.

    Google Scholar 

  • UNCTAD. 2010. The creative economy report. Creative economy, a feasible development option. Geneva/New York: UNCTAD/UNDP.

    Google Scholar 

  • Van Der Ploeg, F. 2006. The making of cultural policy: A European perspective. In handbook of the economics of art and culture, 1183–1221. Amsterdam: Elsevier BV.

    Google Scholar 

  • Van Der Ploeg, R. 2002. In art we trust. De Economist 150(4): 333–362.

    Article  Google Scholar 

  • Verdich, M. 2010. Creative migration? The attraction and retention of the creative class in Launceston, Tasmania. Australian Geographer 41(1): 129–140.

    Article  Google Scholar 

  • Visa Europe. 2015. Visa Europe Consumer Spending Index online, Available at www.visa.com/spendingindex.html (Accessed February 2016).

  • VisionMobile. 2015. European app economy: Creating jobs and driving economic growth in Europe. London: VisionMobile.

    Google Scholar 

  • Waldfogel, J. 2012. copyright protection, technological change, and the quality of new products: Evidence from recorded music since Napster. Journal of Law and Economics, University of Chicago 55(4): 715–740.

    Google Scholar 

  • Warren, A., and R. Evitt. 2010. Indigenous hip-hop: Overcoming marginality, encountering constraints. Australian Geographer 41(1): 141–158.

    Article  Google Scholar 

  • Western Development Commission Ireland. 2009. Creative west: The creative sector in the Western Region. Ballaghaderreen: WDC.

    Google Scholar 

  • Whitacre, B., R. Gallardo, and S. Strover. 2013. Broadband’s contribution to economic health in rural areas: A causal analysis and an assessment of the ‘Connected Nation’ program. Telecommunications Policy Research Conference, Arlington, VA. September 27-29, 2013.

    Google Scholar 

  • Wikström, P. 2014. The Music industry in an age of digital distribution. In 19 key essays on how internet is changing our lives, eds. F. Gonzalez, 423–444. Madrid: BBVA.

    Google Scholar 

  • Wojan, T. R., Lambert, D. M., and McGranahan, D. A. 2007. Emoting with their feet: Bohemian attraction to creative milieu. Journal of Economic Geography 7(6), 711–736.

    Article  Google Scholar 

  • Woodward, M., and C. Bremner. 2015. Learning from Inland: Redefining regional creativity. In Creative communities: Regional inclusion & the arts, eds. J. McDonald and R. Mason, 63–78. Bristol: Intellect.

    Google Scholar 

  • World Intellectual Property Organization. 2003. Guide on surveying the economic contribution of the copyright based industries. Geneva: WIPO.

    Google Scholar 

  • Yoon, H. 2015. Globalization of the animation industry: Multiscalar linkages of six animation production centers. International Journal of Cultural Policy, September 1–18.

    Google Scholar 

Download references

Author information

Authors and Affiliations

  1. National University of Ireland Galway, Galway, Ireland

    Patrick Collins

  2. Northumbria University, Newcastle Upon Tyne, United Kingdom

    James A. Cunningham

Authors
  1. Patrick Collins
    View author publications

    You can also search for this author in PubMed Google Scholar

  2. James A. Cunningham
    View author publications

    You can also search for this author in PubMed Google Scholar

Rights and permissions

Reprints and permissions

Copyright information

© 2017 The Author(s)

About this chapter

Cite this chapter

Collins, P., Cunningham, J.A. (2017). Creative Economies and Industries in Peripheral Regions. In: Creative Economies in Peripheral Regions. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-52165-7_1

Download citation

  • DOI: https://doi.org/10.1007/978-3-319-52165-7_1

  • Published:

  • Publisher Name: Palgrave Macmillan, Cham

  • Print ISBN: 978-3-319-52164-0

  • Online ISBN: 978-3-319-52165-7

  • eBook Packages: Economics and FinanceEconomics and Finance (R0)

Publish with us

Policies and ethics

Search

Navigation