Skip to main content

Warburg, Aby

Born: June 13, 1866: Hamburg

Died: October 26, 1929: Hamburg

  • Living reference work entry
  • First Online:
  • 170 Accesses

Abstract

Aby Warburg (1866–1929) dedicated his career to studying the Nachleben der Antike (afterlife of antiquity) in Renaissance art and thought. Inventor of iconology as an art-historical method, Warburg later explored other, more experimental methods of making visible what he called the “pathos-formulas” that fueled Renaissance culture. Warburg’s studies of astrological images in the Renaissance, together with his interest in images from Renaissance popular culture, are emblematic of his ambition to create a broad Kulturwissenschaft (cultural science). Warburg’s thought and methods have influenced thinkers in many disciplines, from art history to philosophy. The library he founded in Hamburg, now the Warburg Institute in London, is another crucial, vital aspect of his legacy.

This is a preview of subscription content, log in via an institution.

References

Primary Literature

  • Warburg, Aby. 1929. Römische Antike in der Werkstatt des Domenico Ghirlandaio. Warburg Institute Archive, WIA III 115 (1): 2.

    Google Scholar 

  • Warburg, Aby. 1998. In Die Erneuerung der heidnischen Antike. Kulturwissenschaftliche Beiträge zur Geschichte der europäischen Renaissance, Gesammelte Schriften, ed. Horst Bredekamp and Michael Diers, vol. I.1–2. Berlin: Akademie Verlag. Reprinted from the 1932 edition by Gertrud Bing with Fritz Rougemont.

    Google Scholar 

  • Warburg, Aby. 1999. The renewal of pagan antiquity: Contributions to the cultural history of the European Renaissance, ed. Kurt W. Forster. Trans. David Britt. Los Angeles: Getty Research Institute for the History of Art and the Humanities.

    Google Scholar 

  • Warburg, Aby. 2001. In Tagebuch der Kulturwissenschaftlichen Bibliothek Warburg, Gesammelte Schriften, ed. Karen Michels and Charlotte Schoell-Glass, vol. VII. Berlin: Akademie Verlag.

    Google Scholar 

  • Warburg, Aby. 2008a. In Der Bilderatlas: Mnemosyne, Gesammelte Schriften, ed. Martin Warnke and Claudia Brink, vol. II.1, 3rd ed. Berlin: Akademie Verlag.

    Google Scholar 

  • Warburg, Aby. 2008b. Per Monstra ad Sphaeram. In Sternglaube und Bilddeutung. Vortrag in Gedenken an Franz Boll und andere Schriften 1923 bis 1925, ed. Davide Stimilli and Claudia Wedepohl. Munich/Hamburg: Dölling und Galitz.

    Google Scholar 

  • Warburg, Aby. 2010. In Werke in einem Band, ed. Martin Treml, Sigrid Weigel, and Perdita Ladwig. Berlin: Suhrkamp Verlag.

    Google Scholar 

  • Warburg, Aby. 2012. In Bilderreihen und Ausstellungen, Gesammelte Schriften, ed. Uwe Fleckner and Isabella Woldt, vol. II.2. Berlin: Akademie Verlag.

    Google Scholar 

  • Warburg, Aby. 2013. In Il Primo Rinascimento Italiano. Sette Conferenze Inedite, ed. Giovanna Targia. Torino: Nino Aragno Editore.

    Google Scholar 

  • Warburg, Aby. 2015. In Fragmente zur Ausdruckskunde, Gesammelte Schriften, ed. Ulrich Pfisterer and Hans-Christian Hönes, vol. IV. Berlin: de Gruyter Verlag.

    Google Scholar 

Secondary Literature

  • Agamben, Giorgio. 1999. Aby Warburg and the Nameless Science. In Potentialties: Collected essays in philosophy, 89–103. Trans. Daniel Heller-Roazen. Stanford: Stanford University Press.

    Google Scholar 

  • Agamben, Giorgio. 2009. The signature of all things: On method. Trans. Luca D’Isanto with Kevin Attell. New York: Zone Books.

    Google Scholar 

  • Bing, Gertrud. 1960. Aby M. Warburg. Rivista storica italiana 72 (1): 100–113.

    Google Scholar 

  • Bredekamp, Horst, and Claudia Wedepohl. 2015. Warburg, Cassirer und Einstein im Gespräch. Berlin: Wagenbach Verlag.

    Google Scholar 

  • Cassirer, Ernst. 2000. The individual and the cosmos in renaissance philosophy. Trans. Mario Domandi. Mineola: Dover Publications.

    Google Scholar 

  • Didi-Huberman, Georges. 2002. L’Image survivante. Histoire de l’art et temps des fantômes selon Aby Warburg. Paris: Les Éditions de Minuit.

    Google Scholar 

  • Didi-Huberman, Georges. 2010. Atlas ou le gai savoir inquiet. Paris: Les Éditions de minuit.

    Google Scholar 

  • Gombrich, Ernst. 1986. Aby Warburg: An intellectual biography. 2nd ed. Chicago: University of Chicago Press.

    Google Scholar 

  • Habermas, Jürgen. 1997. Die befreidende Kraft der symbolischen Formgebung. Ernst Cassirers humanistisches Erbe und die Bibliothek Warburg. In Ernst Cassirers Werk und Wirkung. Kultur und Philosophie, ed. Dorothea Frede and Reinold Schmücker, 79–104. Darmstadt: Wissenschaftliche Buchgesellschaft.

    Google Scholar 

  • Heckscher, William. 1974. Petites perceptions: An account of sortes Warburgianae. The Journal of Medieval and Renaissance Studies 4 (1): 101–134.

    Google Scholar 

  • Johnson, Christopher D. 2012. Memory, metaphor and aby Warburg’s atlas of images. Ithaca/London: Cornell University Press.

    Book  Google Scholar 

  • Lescourret, Anne-Marie. 2014. Aby Warburg ou la tentation du regard. Paris: Éditions Hazan.

    Google Scholar 

  • Papapetros, Spyros. 2012. On the animation of the inorganic: Art, architecture, and the extension of life. Chicago: University of Chicago Press.

    Book  Google Scholar 

  • Pfotenhauer, Helmut. 1985. Das Nachleben der Antike. Aby Warburgs Auseinandersetzung mit Nietzsche. Nietzsche Studien 14: 298–313.

    Article  Google Scholar 

  • Pinotti, Andrea. 2001. Memorie dell’immagine in Aby Warburg. Milan: Associazione Culturale Mimesis.

    Google Scholar 

  • Villhauer, Bernd. 2002. Aby Warburgs Theorie der Kultur. Detail und Sinnhorizont. Berlin: Akademie Verlag.

    Google Scholar 

  • Wedepohl, Claudia. 2005. Ideengeographie: Ein Versuch zu Aby Warburgs’ Wanderstraßen der Kultur. In Entgrenzte Räume: Kulturelle Transfers um 1900 und in der Gegenwart, ed. Helga Mitterbauer and Katharina Scherke, 227–251. Vienna: Passagen Verlag.

    Google Scholar 

  • Wind, Edgar. 1983. Warburg’s concept of Kulturwissenschaft and its meaning for aesthetics. In The eloquence of symbols: Studies in humanist art, ed. Jaynie Anderson, 21–27. Oxford: Clarendon Press.

    Google Scholar 

  • Zumbusch, Cornelia. 2004. Wissenschaft in Bildern. Symbol und dialektisches Bild in Aby Warburgs Mnemosyne-Atlas und Walter Benjamins Passagen Werk. Berlin: Akademie Verlag.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Christopher D. Johnson .

Editor information

Editors and Affiliations

Section Editor information

Rights and permissions

Reprints and permissions

Copyright information

© 2018 Springer International Publishing AG

About this entry

Cite this entry

Johnson, C.D. (2018). Warburg, Aby. In: Sgarbi, M. (eds) Encyclopedia of Renaissance Philosophy. Springer, Cham. https://doi.org/10.1007/978-3-319-02848-4_596-1

Download citation

  • DOI: https://doi.org/10.1007/978-3-319-02848-4_596-1

  • Received:

  • Accepted:

  • Published:

  • Publisher Name: Springer, Cham

  • Print ISBN: 978-3-319-02848-4

  • Online ISBN: 978-3-319-02848-4

  • eBook Packages: Springer Reference Religion and PhilosophyReference Module Humanities and Social SciencesReference Module Humanities

Publish with us

Policies and ethics