Abstract
The word ‘being’ is one of the most unobtrusive in the English language. Since it is mostly used as a part of the verb ‘to be’, or (as in ‘human being’) a virtually redundant extra, it becomes almost invisible on the page - so much so that when it is used as a free-standing word in its own right it becomes advisable to capitalize its first letter and speak of it as ‘Being’; otherwise, if set at the side of a word such as ‘consciousness’, it may virtually vanish. One of the purposes of this study is to argue, by contrast, that its significance for certain writers has been so considerable that it should not be allowed to escape notice through simple oversight.
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Notes
Antonio R. Damasio, Descartes’Error (1996) p. 150.
Roger Penrose, The Emperor’s New Mind (1990) p. 7.
Mill on Bentham and Coleridge, with an introduction by F.R. Leavis (1950) pp. 99–100.
Saint Augustine, Confessions (tr. Rex Warner, 1963) XI, 14.
Ian Wylie’s Young Coleridge and the Philosophers of Nature (Oxford 1989).
Blake’s myth-making, see particularly Blake’s Visionary Universe (1969).
Kathleen Raine’s Blake and Tradition (1969).
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© 2003 John Beer
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Beer, J. (2003). Consciousness and the Mystery of Being. In: Romantic Consciousness. Palgrave Macmillan, London. https://doi.org/10.1057/9781403997210_1
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DOI: https://doi.org/10.1057/9781403997210_1
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