Skip to main content

Refashioning Cultural Authenticity: Taiwan

  • Chapter
Writing Chinese
  • 144 Accesses

Abstract

Making inquiries into cultural identity in Taiwan is a complicated endeavor because the culture is closely tied to many cultures—principally Chinese, but also Japanese and American—to identify just the most significant. Naming these cultural others and defining a Taiwan cultural identity requires consideration and discussion of the historical discontinuity and cultural hybridization that resulted from both external and internal political and cultural machinations. The disconnection from native culture through migration (e.g., the 1949 exodus from China to Taiwan) and the imposition of a foreign culture through the fifty-year Japanese colonial rule have created for the different groups of people in Taiwan a serious and complex problem in defining not only their own but also collective Taiwan cultural identity. It is a double-edged struggle to overcome cultural displacement and authenticate cultural hybridity.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

eBook
USD 16.99
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 16.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 54.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

Notes

  1. Sung-sheng Yvonne Chang in the concluding chapter of her Modernism and the Nativist Resistance: Contemporary Chinese Fiction from Taiwan (Durham & London: Duke University Press, 1993) briefly describes these writers, among others, as those who have led Taiwan literature into a “new era.” Situating her discussion against the social, cultural, and political changes that took place in the 1980s in Taiwan, Chang establishes the basic outlook of this new generation of Taiwan writers as having more “tolerance of pluralistic coexistence of the incommensurable … appetite for indeterminacy” as well as being “more keenly aware of the self-other dichotomy” (180). David Der-wei Wang in his numerous articles and books also discusses writers whose works carry significant historical importance as well as literary impact on the development of this new phase of Taiwan literature of the eighties. Please see his Zhongsheng xuanhua (Heteroglossia) (Taipei: Yuanliu Publishing, 1988), 269–88; Xiaoshuo zhongguo (Fiction(al) China) (Taipei: Rye Field, 1993), 161–92; Ruhe xiandai, zengyang wenxue (The making of the modern, the making of a literature) (Taipei: Rye Field, 1998), 405–15.

    Book  Google Scholar 

  2. Gabriel García Márquez, One Hundred Years of Solitude, trans. by Gregory Rabassa (New York: Avon Books, 1971), 12.

    Google Scholar 

  3. Kawabata Yasunari, The Old Capital, 1961, trans. by J. Martin Holman (San Francisco: North Point Press, 1987).

    Google Scholar 

  4. Conrad Schiokauer, A Brief History of Chinese and Japanese Civilizations, 2nd ed. (Fort Worth: Harcourt Brace Jovanovich College Publishers, 1989), 332.

    Google Scholar 

  5. Hu Lancheng has recorded this period and his controversial involvement with Wang Jingwei in his book This Life, This World (Jinsheng jinshi) (Taipei: Sansan shudian, 1990). He is best known for being the former husband of Eileen Chang and a collaborator with Japan and Wang’s bogus government in occupied Shanghai during the Sino-Japanese War. Because of this connection with Wang, Hu has been accused by the Nationalist government of being a traitor to China (hanjian).

    Google Scholar 

  6. Colonial Taipei as a site of urban modernization by the Japanese seemed to share many similarities with the modernization plans for Tokyo which was going through centralized city planning after the 1923 earthquake. Please see Jinnai Hidenobu, Tokyo: A Spatial Anthropology (Berkeley: University of California Press, 1995). I owe this reference to Professor Joseph Allen.

    Google Scholar 

  7. Bill Ashcroft, Gareth Griffiths, and Helen Tiffin, The Empire Writes Back: Theory and Practice in Post-Colonial Literatures (New York & London: Routledge, 1989), 140.

    Book  Google Scholar 

Download references

Authors

Copyright information

© 2006 Lingchei Letty Chen

About this chapter

Cite this chapter

Chen, L.L. (2006). Refashioning Cultural Authenticity: Taiwan. In: Writing Chinese. Palgrave Macmillan, New York. https://doi.org/10.1057/9781403982988_4

Download citation

Publish with us

Policies and ethics