Abstract
Throughout the late 1970s, Mamoru Oshii worked in the anime industry, mainly drawing storyboards for various television series. After starting his career at Tatsunoko Productions, Oshii followed his mentor, Hisayuki Toriumi, to Studio Pierrot where he began to hone his skills at directing animation. While there, Oshii worked on a number of shows, most notably Nils’s Mysterious Journey. An adaptation of a Swedish fairy tale, Nils is a tale of a young boy’s quest for identity that features geese as the boy’s traveling companions. It is noteworthy that Oshii was involved in a retelling of this tale at the beginning of his career; the story of Nils also has been cited as an early influence by Nobel Prize-winning Japanese author Kenzaburo Ōe.1 As Susan J. Napier states, “Just as the young Ōe would grow up to commingle the Western Other in both his art and his life, so Nils seems happier among the alien geese than with humans.”2 Perhaps, like Ōe, Oshii could see something of himself in Nils and his quest.
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Notes
Kenzaburo Oe, Japan, the Ambiguous, and Myself: The Nobel Prize Speech and Other Lectures (New York: Kodansha International, 1995).
Susan J. Napier, “Hybrid Identities—Oe, Japan, and the West,” in Return to Japan: From “Pilgrimage” to the West, ed. Yoichi Nagashima (Oakville, CT: Aarhus University Press, 2001): 321.
Seiji Horibuchi, “Rumiko Takahashi,” in Anime Interviews: The First Five Years of Animerica Anime & Manga Monthly (1992–1997), ed. Trish Ledoux (San Francisco: Cadence Books, 1997): 20.
Harold David, “The Elegant Enigmas of Mamoru Oshii,” Anime-Fantastique 1 (Spring 1999): 8.
Mark Siegel, “Foreigner as Alien in Japanese Science Fantasy,” Science Fiction Studies 12, no. 37 (November 1985): 257.
Jonathan Clements, “Sex with the Girl Next Door: The Roots of the Anime Erotic,” in Helen McCarthy and Jonathan Clements, The Erotic Anime Movie Guide (Woodstock, NY: Overlook Press, 1999): 95.
Jonathan Clements and Helen McCarthy, The Anime Encyclopedia: A Guide to Japanese Animation Since 1917 (Berkeley, CA: Stone Bridge Press, 2001): 79.
Daisetz T. Suzuki, Zen and Japanese Culture (Princeton, NJ: Princeton University Press, 1959): 220.
Toshifumi Yoshida, “Mamoru Oshii,” translated by Andy Nakatani, Animerica 9 (June 2001): 40.
Susan J. Napier, Anime from Akira to Princess Mononoke: Experiencing Contemporary Japanese Animation (New York: Palgrave, 2000): 20.
Mary Douglas, Purity and Danger: An Analysis of Concepts of Pollution and Taboo (New York: Routledge, 2002).
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© 2004 Brian Ruh
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Ruh, B. (2004). Urusei Yatsura (1981–84). In: Stray Dog of Anime. Palgrave Macmillan, New York. https://doi.org/10.1057/9781403982797_2
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DOI: https://doi.org/10.1057/9781403982797_2
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