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Postcolonial Courtiers: Performing French Classicism from Versailles to Nouvelle-France

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Postcolonial Moves: Medieval through Modern
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Abstract

In the history of Western metaphysics, the dualistic split between mind and body has underwritten numerous claims to superior rationality and political power. The theory of this split has a particularly French history, one that ultimately enabled French colonial discourses of racial superiority.1 In various ways, the historical narration of the mind/body split in aesthetic discourses, such as rhetorical theory, lent considerable force to colonizers’ discriminatory tales. Colonizers described their own bodies as more evolved because they could narrate the progressive detachment of their minds from their material substance. Locating colonized bodies in history consolidated, in turn, the reliance of Western epistemologies on concepts of disembodied reason and emancipatory teleologies. My purpose here, then, is to examine how this bind between narration and metaphysical dualism emerged in the seventeenth century to constitute, literally, a French body politic.2

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Notes

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© 2003 Patricia Clare Ingham and Michelle R. Warren

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Blanchard, JV. (2003). Postcolonial Courtiers: Performing French Classicism from Versailles to Nouvelle-France. In: Ingham, P.C., Warren, M.R. (eds) Postcolonial Moves: Medieval through Modern. Palgrave Macmillan, New York. https://doi.org/10.1057/9781403980236_11

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