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Conversations about Representing the Horror

  • Susana Kaiser
Part of the Palgrave Studies in Oral History book series

Abstract

So the past has made it into the present. The events of the dictatorship have been transmitted and the communication media have been key sources in this process. The dictatorship’s “textbook” has several and varied pages, presenting multiple portrayals and explanations of the horror that went on. But how is this traumatic past maintaining its presence in the public sphere? What stories are these representations telling? How are they telling them and in which forms?

Keywords

Young People State Terrorism Traumatic Past Military Junta Violent Past 
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

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Notes

  1. 5.
    For an analysis of how these images have circulated see Claudia Feld, Del estrado a la pantalla: Las imágenes del juicio a los ex comandantes en Argentina (Madrid: Siglo Veintiuno de España, 2002).Google Scholar
  2. 9.
    Stephen Prince, ed., Screening Violence (New Brunswick, NJ: Routledge, 2000), 22, 28.Google Scholar
  3. 10.
    Vivian C. Sobchack, “The Violent Dance: A Personal Memoir of Death in the Movies,” in Screening Violence, ed. Stephen Prince (New Brunswick, NJ: Routledge, 2000), 110–124, p. 124.Google Scholar
  4. 12.
    Barbie Zelizer, Remembering to Forget; Holocaust Memory through the Camera’s eye (Chicago: University of Chicago Press, 1998), 213.Google Scholar

Copyright information

© Susana Kaiser 2005

Authors and Affiliations

  • Susana Kaiser

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