Abstract
Véra Starkoff1 is the most enigmatic of the authors discussed in this book. Though her name appears frequently in archives about turn-of-the-century feminism and the Université Populaire, little was known about her life or in fact her true identity until recently. In an introductory essay to Starkoff’s plays published in 2001 in Au temps de l’anarchie, un théâtre de combat 1880–1914, Monique Surel-Tupin wrote, “On sait peu de choses sur cette militante d’origine russe qui s’engagea dans le mouvement des universités populaires” (287).2 After much intriguing research in such unusual places for a literary scholar as cemeteries, police archives, and genealogical databases in France, the United States, and Russia, I was able to discover a minimum of biographical information about her. Unfortunately, many aspects of her life and career remain unknown.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
Notes
See Eric Bentley, The Playwright as Thinker ( New York: Reynal & Hitchcock, 1946 ).
Copyright information
© 2005 Cecilia Beach
About this chapter
Cite this chapter
Beach, C. (2005). Theater of a Tolstoïenne: Véra Starkoff. In: Staging Politics and Gender. Palgrave Macmillan, New York. https://doi.org/10.1057/9781403978745_4
Download citation
DOI: https://doi.org/10.1057/9781403978745_4
Publisher Name: Palgrave Macmillan, New York
Print ISBN: 978-1-349-52917-9
Online ISBN: 978-1-4039-7874-5
eBook Packages: Palgrave Literature & Performing Arts CollectionLiterature, Cultural and Media Studies (R0)