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Sacred, Secular, and Impure: The Contextuality of Sensations

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Part of the book series: The New Middle Ages ((TNMA))

Abstract

The historian who wishes to study feelings and their expression in the past must rely upon descriptions, be they written, painted, carved, or played on an instrument.1 But description, especially the description of feelings, is a literary device, crafted and constructed according to literary norms. Artistic descriptions may decree that people in pain writhe or remain motionless, scream or keep silent, tear out their hair or smile. What I study, therefore, is an artifact, not a phenomenon. Even had historians been given time machines to travel and, like anthropologists, observe the behavior of people in pain in the past, what we would observe would still be an artifact. Other than the theoretical primal scream, expressions of pain differ from culture to culture and from one context to another. The modes of behavior are deeply embedded—so much so that one cannot even discern the existence of a code. For instance, in the most banal of examples, a person sitting in a dentist’s chair may groan or complain or burst into tears.2 Besides the well-known codes of restraint, there are also codes of expression. Cultures allowing expressions of pain in certain situations also shape them according to specific codes, allowing some expressions and debarring others.

Examines the question of late medieval judicial discourse and its approach to torture. Torture is problematic in the Christian context, for it pertains to the martyrological tradition. Late medieval jurisprudential texts appropriate the vocabulary of late antique martyrologies, changing the meanings of the key terms to suit suspected criminals rather than saints, thus exonerating torture from the blame of untruth and violence.

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Notes

  1. For anthropological literature on pain and behavior, see Mark Zborowski, People in Pain (San Francisco: Jossey-Bass, 1969), pp. 18–48;

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© 2006 Lawrence Besserman

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Cohen, E. (2006). Sacred, Secular, and Impure: The Contextuality of Sensations. In: Besserman, L. (eds) Sacred and Secular in Medieval and Early Modern Cultures. The New Middle Ages. Palgrave Macmillan, New York. https://doi.org/10.1057/9781403977274_8

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