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Axis and Empire

  • Borden W. PainterJr.
Part of the Italian and Italian American Studies book series (IIAS)

Abstract

Mussolini’s fascist revolution promised the Italian people two major changes: First, Italians would achieve internal unity, experience a new identity as Italians, and fulfill the promise of the Risorgimento to overcome the traditional divisions in the name of the new national community; and second, Italy would become a powerful nation capable of gaining the respect of other great powers and creating a new sphere of interest—a place in the sun—worthy of the Roman imperial tradition. The themes and messages integral to Mussolini’s transformation of Rome spoke to both these goals. The regime brought Italians from every corner of the land to see the new city emerging and to experience for themselves the pride and strength of being Italian. Fascism produced results. Visitors could see it in the new streets and buildings, in the new vistas opened by wide streets and boulevards, and in the ancient monuments now liberated and integrated into the Roman landscape. In the constant parades, events, and ceremonies, the Duce beckoned Italians to play their part in the new Italy now poised to make its mark in Europe, the Mediterranean, and the world.

Keywords

Terminus Station Train Station Apartment Building Historic Center Circus Maximus 
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

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Notes

  1. 2.
    See Cannistraro, La fabbrica del Consenso and Renzo De Felice, Mussolini il duce, Gli anni del consenso 1929–1936 ( Milan: Einaudi, 1974 ).Google Scholar
  2. 24.
    Memmo Caporilli and Franco Simeoni, Il Foro Italico e lo Stadia Olimpico, Immagini della Storia ( Rome: Tomo, 1991 ): 128.Google Scholar
  3. 60.
    Alberta Campitelli, “Villa Paganini Alberoni,” in Luisa Cardelli, ed., Gli Anni del Governatorato (1926–1944) ( Rome: Kappa ): 183–186.Google Scholar
  4. 68.
    Clive Hirschorn, The Hollywood Musical ( New York: Crown, 1981 ): 95.Google Scholar
  5. 69.
    See Borden Painter, ‘American Films in Fascist Propaganda: The Case of the Exhibition of the Fascist Revolution 1942–43, Film d’ History 22: 3 (September 1992): 100–111.Google Scholar
  6. 70.
    Lucilla Albano, “Hollywood: Cinelandia” in Cinema italiano sotto il fascismo, edited by Riccardo Redi ( Venice: Marsilio, 1979 ): 230–231.Google Scholar

Copyright information

© Borden Painter 2005

Authors and Affiliations

  • Borden W. PainterJr.

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