Abstract
The transformation of Rome into Mussolini’s Rome required countless contracts for projects large and small. The regime, through the Governatorato, supervised building patronage on a grand scale. Indeed, Mussolini’s government acted in the same way throughout Italy. Much was at stake, both in terms of money and architectural style. A central question was: What style would win official recognition as the true “fascist” style?
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Notes
Doordan, “The Political Content in Italian Architecture during the Fascist Era,” Art Journal (1983): 130.
Herbert W. Schneider, The Fascist Government of Italy, The Governments of Modern Europe (New York: D. Van Nostrand, 1936 ): 150–51.
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Victoria De Grazia, How Fascism Ruled Women: Italy, 1922–1945 (Berkeley: University of California Press, 1994) explores fascist policies and practices for women thoroughly, including such contradictions.
Francesco Garofalo and Luca Veresani, Adalberto Libera (New York: Princeton Architectural Press, 1992; original Italian edition 1989): 98.
Carl Ipsen, Dictating Demography: The Problem of Population in Fascist Italy ( Cambridge: Cambridge University Press, 1996 ): 113.
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Claudio Galeazzi and Giorgio Muratore, Littoria-Latina, La Storia, LeArchitetture ( Latina: Novecento, 1999 ): 199–200.
Frank M. Snowden, “From Triumph to Disaster: Fascism and Malaria in the Pontine Marshes, 1928–1946,” in John Dickie, John Foot, and Frank M. Snowden, eds., Disastro! Disasters in Italy Since 1860, Culture, Politics, Society ( New York: Palgrave, 2002 ): 113–140.
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© 2005 Borden Painter
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Painter, B.W. (2005). Architecture, Propaganda, and the Fascist Revolution. In: Mussolini’s Rome. Italian and Italian American Studies. Palgrave Macmillan, New York. https://doi.org/10.1057/9781403976918_4
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DOI: https://doi.org/10.1057/9781403976918_4
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