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Introduction

The Politics of Fictive Theories: Reading/Writing/Theory

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Fictive Theories

Part of the book series: Studies in European Culture and History ((SECH))

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Abstract

This book is an exploration of the work of fictions in political theories: the epistemological status those fictions claim, on the one hand, and the effects that they secure, on the other. I propose that political theory has worked within epistemologically conservative forms of knowledge. In seeking to articulate grounded conceptions of order and justice, the claims to knowledge of political theory are at once claims to power, which work toward coherence, containment, and control. This mode of theorizing, however, is based on misrecognition or forgetting: in the attempt to ground political theory in substantive norms, such as nature, rights, or even knowledge of the “the real,” theory must efface, negate, and forget its own constitutive fictions. In this effacement of the fictions that make theory work inheres the reification of political theory into a legislative, authoritative, and programmatic mode. Put otherwise: epistemologies of “the given,” conservative and ostensibly authoritative modes of knowledge-production, are always already creative epistemologies, but creative epistemologies that efface their contingency and creative power in favor of their legislative and authoritative power.

There is no outside-text.

Jacques Derrida, Of Grammatology, 1997

I am. We are. That is enough. Now it is up to us to begin.

Ernst Bloch, Spirit of Utopia, 1988

Without storytelling, there is no theory of ethics.

J. Hillis Miller, The Ethics of Reading, 1987

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Notes

  1. Luce Irigaray, The Way of Love, trans. Heidi Bostic and Stephen Pluháček (London: Continuum, 2002), p.vii.

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  4. Drawn from Norman Jacobson’s noteworthy book, Pride and Solace: The Function and Limits of Political Theory (Berkley and London: University of California Press, 1978): “the pride of the theorist in the act of creation, the solace of the reader in the act of discovery,” (p.ix). Later in this section, I discuss the hierarchical ordering implicit in this characterization of political theory in terms of its ordering of writers and readers in a legislative paradigm. The play, notably recognized by Foucault, of subject and subjection is implicit here. (To anticipate: such a problematic, as old as Plato, can only be overcome by going through Nietzsche.) The aphorism is taken from

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  33. Wendy Brown, “At the Edge,” in, Political Theory, 30/4 (August 2002), pp.556–576, 574. See also Jon Simons, who argues that “the term ‘fictive theories’ indicates a reaction to excessive epistemological and foundational concerns of Critical Theory, but does not propose in its place the sort of empty relativist skepticism according to which any account of what is going on in this world is as good as any other.” Explaining further with reference to the work of Michel Foucault, he proposes that “the question is not whether his account is adequate to ‘reality’, but whether his perspective is adequate to his resistance to the mode of power that subjects us.” See, “The Critical Force of Fictive Theories: Jameson, Foucault and Woolf,” in,

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  34. Reconstituting Social Criticism: Political Morality in an Age of Scepticism, ed. Iain MacKenzie and Shane O’Neill (Basingstoke: Macmillan Press Ltd., 1999), pp. 85, 92.

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© 2005 Susan McManus

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McManus, S. (2005). Introduction. In: Fictive Theories. Studies in European Culture and History. Palgrave Macmillan, New York. https://doi.org/10.1057/9781403976802_1

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