Abstract
The question of autobiography is linked to the East German Staatssicherheit in an arc that spans the whole of Monika Maron’s literary career. On the one hand, MfS files discovered by Der Spiegel in 1995, which reveal that Maron, under the codename ‘Mitsu’, briefly acted during the late 1970s as a ‘Kontaktperson’ (KP) for the Hauptverwaltung Aufklärung (HV A), the foreign-intelligence branch of the Stasi, have shed startling light on the gestation of her first novel.1 Whilst writing Flugasche (1981), in which the treatment of censorship, the catastrophe of East German industry and the stifling conformism of life in the GDR proved too critical to be published there, Maron had, the files suggest, sought the HV A’s assistance in travelling to West Berlin to visit ‘die Stätten ihrer Kindheit’ and conduct ‘Milieustudien’ for what is described as her ‘autobiografische[r] Roman’.2 Using a passport provided by the HV A and under an alias, Maron made eleven journeys to the West between January and June 1977; she also, it seems, offered her HV A contact the ‘Exposè [sic] ihres Buches’ to read.3
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Notes
Monika Maron, Pawels Briefe. Eine Familiengeschichte (Frankfurt/M.: S. Fischer, 1999), p. 199. Hereafter PB.
See, for example, Irmtraud Gutschke, Dabei hatte sie doch “das Thema DDR” langst abgeschlossen. Auch Monika Maron … Das schlimme Spiel mit der Stasi-Klatsche geht weiter’, Neues Deutschland, 8 August 1995; Jan Schulz-Ojala, ‘Rachegottin mit der Schreibmaschine’, Der Tagesspiegel, 8 August 1995.
See Hermann Kurzke, ‘Eine geborene Iglarz. Monika Maron erinnnert sich’, Frankfurter Allgemeine Zeitung, 10 April 1999.
Frank Schirrmacher, ‘Meine Mutter hat fur Mielke die Schmalzstullen geschmiert. Ein Gesprach mit Monika Maron uber ihre Kontakte zur “Hauptverwaltung Aufklarung” des Staatssicherheitsdienstes der DDR’, Frankfurter Allgemeine Zeitung, 7 August 1995. For the reports see Monika Maron, Quer iiber die Gleise. Artikel, Essays, Zwischenrufe (Frankfurt/M.: S. Fischer, 2000), pp. 24–31 and 31–3.
Barbel Bohley, ‘Das Herz der Stasi. Barbel Bohley iiber den Fall Monika Maron’, Der Spiegel, 28 August 1995; Jtirgen Fuchs, ‘In der Stasi-Falle. Ist es Hag? Antwort auf Monika Maron’, Frankfurter Allgemeine Zeitung, 17 October 1995.
Frank Schirrmacher, ‘Lebenslaufe. Monika Maron und die Stasi’, Frankfurter Allgemeine Zeitung, 7 August 1995.
Monika Maron, ‘Heuchelei und Niedertracht. Scharfrichteraugen: Die selbstgerechten Spitzeljager verkennen gem, daQ Staat und Stasi eins waren’, Frankfurter Allgemeine Zeitung, 14 October 1995.
Monika Maron, Flugasche. Roman (Frankfurt/M.: S. Fischer, 1981), p. 13.
John Sturrock, The Language of Autobiography: Studies in the First-Person Singular (Cambridge, New York and Melbourne: Cambridge University Press, 1993), p. 289.
Monika Maron, Stille Zeile sechs. Roman (Frankfurt/M.: S. Fischer, 1991), pp. 141–2.
Laura Marcus, Auto/biographical Discourses: Criticism, Theory, Practice (Manchester and New York: Manchester University Press, 1994), p. 7.
Alison Lewis, ‘Re-Membering the Barbarian: Memory and Repression in Monika Maron’s Animal Triste’, The German Quarterly, 1 (1998), 30–46.
Maron, Quer iiber die Gleise, pp. 95–116 (pp. 106 and 114). Maron cites Corinna Caduff, ‘Missbrauchte Geschichte. Monika Maron macht sich auf die Spurensuche nach ihrem polnisch-judischen Grossvater’, Die Weltwoche, 25 February 1999; see also Robin Detje, ‘Ich bin der Sieger der Geschichte. “Pawels Briefe”: In ihrem neuen Buch nimmt Monika Maron die DDR sehr personlich’, Berliner Zeitung, 23 February 1999.
See John Paul Eakin, Fictions in Autobiography: Studies in the Art of Self-Invention (Princeton: Princeton University Press, 1985), p. 277; Michael Sheringham, French Autobiography: Devices and Desires. Rousseau to Perec (Oxford and New York: Oxford University Press, 1993), p. viii.
Andrew Plowman, ‘Bernward Vesper’s Die Reise: Autobiography between the Student Movement and the Act of Self-Invention’, German Studies Review, 21 (1998), 507–24.
Compare Paul de Man, Allegories o f Reading. Figural Language in Rousseau, Nietzsche, Rilke and Proust (New Haven and London: Yale University Press, 1979), pp. 281–2.
Jacques Lacan, Ecrits (Paris: Seuil, 1966), pp. 93–100.
Manuel Koppen and Klaus Scherpe, ‘Zur Einfuhrung: Der Streit urn die Darstellbarkeit des Holocaust’, in Bilder des Holocaust. Literatur — Film — Bildende Kunst, ed. by Manuel Koppen and Klaus R. Scherpe (Cologne, Weimar and Vienna: BOhlau, 1997), pp. 1–12 (p. 9).
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Plowman, A. (2003). Escaping the Autobiographical Trap? Monika Maron, the Stasi and Pawels Briefe . In: Cooke, P., Plowman, A. (eds) German Writers and the Politics of Culture. New Perspectives in German Studies. Palgrave Macmillan, London. https://doi.org/10.1057/9781403938756_14
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