Abstract
In 1850, a young woman with the initials M. A. C. began compiling an album. She used a pre-printed volume made especially for the purpose, and probably given to her as a gift. In making this album, M. A. C. produced a far from straightforward record of domestic time. Albums are unique among nineteenth-century print practices in that they represent a close proximity between consumption and production; the album’s owner or contributors cut out, re-organized, pasted and embellished printed matter according to their own whims. Material was captured out of the flow of the print marketplace and fixed in the manuscript volume for a local, domestic readership. In this final section of Time, Domesticity and Print Culture, I will trace the conceptualization of domestic time that emerges from nineteenth-century albums. Of a necessity, the discussion will at times turn speculative — albums are apt to frustrate fixed interpretations — but in order to expand our understanding of the production of time by print culture, it is vital that we examine modes of representation even if the referents are hazy and the chances of misreading are high. Nick Hopwood, Simon Schaffer and Jim Secord have asserted that as serial culture became ubiquitous in the nineteenth century, ‘newspapers and other periodicals defined knowledge as a material commodity distributed, consumed and disposed of on a regular basis’.1
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
Notes
Nick Hopwood, Simon Schaffer and Jim Secord, ‘Seriality and Scientific Objects in the Nineteenth Century’, History of Science, 48.3 (September/December 2010), 251–85, p. 261.
Claire Farago, ‘“Scraps as it were”: Binding Memories’, Journal of Victorian Culture, 10.1 (Spring 2005), 114–22, pp. 114, 116.
Katherine Ott, Susan Tucker and Patricia P. Buckler, ‘An Introduction to the History of Scrapbooks’, in The Scrapbook in American Life, ed. by Susan Tucker, Katherine Ott and Patricia P. Buckler (Philadelphia: Temple University Press, 2006), pp. 1–25, pp. 2–3, 16.
Peter Fritzsche, Stranded in the Present: Modern Time and the Melancholy of History (Cambridge, MA and London: Harvard University Press, 2004), pp. 195, 198.
Samantha Matthews, ‘“O All Pervading Album!”: Place and Displacement in Romantic Albums and Album Poetry’, in Romantic Localities: Europe Writes Place, ed. by Christoph Bode and Jacqueline Labbe (London: Pickering & Chatto, 2010), pp. 99–116, p. 104.
Rebecca Steinitz, Time, Space, and Gender in the Nineteenth-Century British Diary (New York: Palgrave Macmillan, 2011), pp. 17–18.
Patrizia di Bello, ‘Mrs Birkbeck’s Album: the Hand-Written and the Printed in Early Nineteenth-Century Feminine Culture’, 19: Interdisciplinary Studies in the Long Nineteenth Century, 1 (2005), 13.
Raymond Williams, Marxism and Literature (Oxford: Oxford University Press, 1977), pp. 121–7.
Patrizia di Bello, Women’s Albums and Photography in Victorian England: Ladies, Mothers and Flirts (Aldershot: Ashgate, 2007), pp. 25, 151–3.
Cf. Brian Maidment, Comedy, Caricature and the Social Order, 1820–50 (Manchester: Manchester University Press, 2013), p. 78.
Ellen Gruber Garvey, ‘Scissorizing and Scrapbooks: Nineteenth-Century Reading, Remaking, and Recirculating’, in New Media, 1740–1915, ed. by Lisa Gitelman and Geoffrey B. Pingree (Cambridge, MA and London: MIT Press, 2003), pp. 207–27, p. 214, author’s emphasis.
Author information
Authors and Affiliations
Copyright information
© 2016 Maria Damkjær
About this chapter
Cite this chapter
Damkjær, M. (2016). Coda: Scrapbooking and the Reconfiguration of Domestic Time. In: Time, Domesticity and Print Culture in Nineteenth-Century Britain. Palgrave Studies in Nineteenth-Century Writing and Culture. Palgrave Macmillan, London. https://doi.org/10.1057/9781137542885_6
Download citation
DOI: https://doi.org/10.1057/9781137542885_6
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-349-71298-4
Online ISBN: 978-1-137-54288-5
eBook Packages: Literature, Cultural and Media StudiesLiterature, Cultural and Media Studies (R0)