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Changing Heads and Hats: Nationalism and Modern Masculinities in the Ottoman Empire and the Republic of Turkey

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Masculinities and the Nation in the Modern World

Part of the book series: Global Masculinities ((GLMAS))

Abstract

In 1922, the Ottoman-Turkish humorist magazine Ayine published a caricature titled “Changing Heads,” which consisted of six strips representing different historical moments. Set in 1918, the first scene titled “War” depicts Ottoman soldiers and their German allies, recognizable by the Ottoman military cap Kubuluk and the Prussian spiked helmet, respectively* The second strip “After the War” from 1919 shows several headpieces with Ottoman connotations: the Fez,2 the Kalpak,3 and the Kubuluk. The next one refers to the armistice of Mudros of October 1918, which sealed the end of World War I for the Ottoman Empire.4 The image represents an Italian and a British man wearing a military cap, and a French one with a bicorne. The two other men wearing a turban and a Fez symbolize the occupied territories in Northern Africa and Arabia. “After the Armistice,” dated 1921, depicts the Turkish War of Independence and refers to the British occupation of Istanbul on March 16, 1920, and the 1919 invasion of Asia Minor by Greece. The headwear that is shown in this image consists of three European brimmed hats, a Greek national headgear, and a military cap. The next sequence called “Peace” addresses the Armistice of Mudanya that took place in the Autumn of 1922, showing five Fezzes and a Turban.

The author would like to thank Ellinor Morack, Malte Fuhrmann, P. G. Macioti, Karina Müller-Wienbergen, Rebekka Habermas, and the editors of this volume for their constructive suggestions on this article.

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Notes

  1. I refer to the conceptualization of hegemonic masculinity by Raewyn Connell. Connell defines masculinity not only in contrast to femininity but also in relation to other subordinated or hegemonic masculinities. He situates masculinity in a contested field of power, one part of which is the gender order. The author argues against an idea of fixed gender roles, or the “male sex role” model, which reduces masculinity to specific characteristics that are inherited or aspired to by all men in favor of a concept of multiple masculinities, which are historically and socially produced. Hegemonic masculinity should be understood as enacted practice, not just as a set of role expectations. See R. W. Connell, Masculinities, 2nd ed. (Berkeley: University of California Press, 2005).

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  57. This motive can be related to dragon-slaying legends in the Turco-Persian mythology, which is however beyond the scope of this chapter. Here, it is sufficient to say that many of these legends refer to the recognition of the legitimacy of the ruler, who kills a dragon in order to consolidate his questioned authority or rule. See P. O. Skjærvø, Dj. Khaleghi-Motlagh, and J. R. Russell “AŽDAHĀ,” in Encyclopaedia Iranica, ed. Ehsan Yarshater, vol. 3 (New York: Bibliotheca Persica Press, 2000), 191–205.

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  59. In a recent publication on the Turkish Hat Law, Camilla T. Nereid challenges this oft-repeated dichotomy of progress and reaction. Instead of following the Kemalist paradigm, which grants legitimacy to only one version of modernization, she follows a model of multiple modernities and traces five different versions of it. Camilla T. Nereid, “Kemalism on the Catwalk: The Turkish Hat Law of 1925,” Journal of Social History 44, no. 3(2011): 707–728.

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Pablo Dominguez Andersen Simon Wendt

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© 2015 Pablo Dominguez Andersen and Simon Wendt

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Jana, K. (2015). Changing Heads and Hats: Nationalism and Modern Masculinities in the Ottoman Empire and the Republic of Turkey. In: Andersen, P.D., Wendt, S. (eds) Masculinities and the Nation in the Modern World. Global Masculinities. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137536105_12

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