Abstract
In the previous chapter I focused on the writings of scholars who discuss different aspects of gender issues in Ifá, a Yorùbá knowledge and divination system. William Bascom and Wande Abimbola, the two main scholars that I interrogate extensively, did not set out consciously in their major works to make gender claims in the first instance. The gender statements they make are a by-product of their attempts to develop a comprehensive understanding of the Ifá world through the collection, analysis, and interpretation of all aspects of the system, including diviners, divination practice, and the content of Ifá and its place in Yorùbá culture and imagination. One could have explained their silence on gender as a sign of the nongendered quality of the Yorùbá ethos that they are attempting to elucidate. This line of thinking becomes untenable, however, because these Ifá scholars specifically mapped female exclusion, male dominance, and patriarchal values into the knowledge system by assuming a male-dominant lens from the get-go. They did not display any consciousness that they needed to account for male superiority and female deauthorization as they depicted cultural institutions and social practices.
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Notes
Oyeronke Olajubu, “Seeing through a Woman’s Eye: Yorùbá Religious Tradition and Gender Relations,” Journal of Feminist Studies in Religion 20, no. 1 (2004): 43.
For a discussion of the role of Ato, a female official in the egungun cult, see S. O. Babayemi, Egungun among the OYó Yorùbá (Ibadan: Board Publication Limited, 1980).
Oyèrónke Oyěwùmí, The Invention of Women: Making an African Sense of Western Gender Discourses (Minneapolis: University of Minnesota Press, 1997).
Wande Abimbola, Ifá: An Exposition of Ifá Literary Corpus (Ibadan: Oxford University Press, 1976), 27.
Rowland Abiodun, “Hidden Power: Osun, the Seventeenth Odù,” in OṢun across the Waters: A Yorùbá Goddess in Africa and the Americans, ed. Joseph M. and Mei-Mei Sanford Murphy (Bloomington: Indiana University Press, 2001), 16–17.
Diedre Badejo, OṢun Seegesi: The Elegant Deity of Wealth, Power, and Femininity (Trenton: Africa World Press, 1996), 79.
D. O. Ogungbile, “EERìndínlógún: The Seeing Eyes of Sacred Shells and Stones,” in OṢun across the Waters: A Yorùbá Goddess in Africa and the Americans, ed. Joseph M. and Mei-Mei Sanford Murphy (Bloomington: Indiana University Press, 2001), 193–194.
Oyeronke Olajubu, Women in the Yorùbá Religious Sphere (Albany: State University Press of New York, 2003), 80.
Similar ideas have also been expressed in other African societies such as Asante, where it is said that even the king has a mother (Emmanuel Akyeampong and Pashington Obeng, “Spirituality, Gender, and Power in Asante History,” in African Gender Studies: A Reader, ed. Oyèrónké Oyěwùmí [New York: Palgrave Macmillan, 2005]);
and Igbo society, where it is said that Nnneka—mother is supreme (Nkiru Uwechia Nzegwu, Family Matters: Feminist Concepts in African Philosophy of Culture [New York: State University of New York Press, 2006]).
Adélékè Adéèkó, “‘Writing’ and ‘Reference’ in Ifá Divination Chants,” Oral Tradition 25, no. 2 (2010), 280.
G. C. Bond and A. Gilliam, eds., Social Construction of the Past: Representation as Power (New York: Routledge, 1994), 8.
T. M. Aluko, One Man One Wife (London: Heinemann, 1959), 59.
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© 2016 Oyèrónkẹ́ Oyěwùmí
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Oyěwùmí, O. (2016). (Re)Casting The Yorùbá World: Ifá, Ìyá, and The Signification of Difference. In: What Gender is Motherhood?. Gender and Cultural Studies in Africa and the Diaspora. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137521255_3
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