Abstract
After the then 32-year-old Anders Behring Breivik placed a car bomb outside the office of Norwegian Prime Minister Jens Stoltenberg, he proceeded to the nearby island of Utya armed with a hunting rifle and a pistol. There, over the course of an hour in the early evening of 22 July 2011, he shot at the mainly young participants at a summer camp of the ruling Labour Party. Shortly beforehand, he had sent an English-language manifesto with the title “2083: A European Declaration of Independence” to roughly a thousand email addresses. In the 1,500-page screed, which Breivik had patched together from various ideologies and in parts simply copied from the internet, he sets out the abstruse motives for his attack and disseminates a world-view that is every bit as self-contradictory as it is radical.1
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Notes
Christer Petersen (2015) Terror und Propaganda: Prolegomena zu einer Analytischen Medienwissenschaft (Bielefeld: Transcript).
Renate Hau (1986) Globalwörterbuch Lateinisch-Deutsch (Stuttgart: Klett), pp. 1035–1036.
Peter Klimczak (2015) Formale Subtextanalyse: Modallogische Grundlegung der Grenzüberschreitungstheorie Jurij M. Lotmans (Münster: Mentis).
Hans Krah (2006) Einführung in die Literaturwissenschaft/Textanalyse (Kiel: Ludwig), p. 310.
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© 2015 Peter Klimczak and Christer Petersen
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Klimczak, P., Petersen, C. (2015). Amok: Framing Discourses on Political Violence by Means of Symbolic Logic. In: Ziegler, D., Gerster, M., Krämer, S. (eds) Framing Excessive Violence. Palgrave Macmillan, London. https://doi.org/10.1057/9781137514431_9
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DOI: https://doi.org/10.1057/9781137514431_9
Publisher Name: Palgrave Macmillan, London
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