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Environmental Navigation interrogates the development of practical navigation and exploratory exercises devised in the workshop series. It articulates a contemporary understanding and application of ecological navigation, drawing on the work of James Gibson (1979), Tim Ingold (2009) and Jacob Von Uexkull (1934) to examine the complex initiation undertaken when the MoCap studio is encountered for the first time. It asks how the discrete perspectives in an interdisciplinary environment work best in unison, and uses an ecological perspective to make sense of the unique physical properties that exist in the MoCap studio.
KeywordsMotion Capture Neutral Actor Input Motion Performance Capture Screen Space
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