Abstract
By most appearances, 1813 was a good year for the Poets sometimes dubbed the Lake School. A winter night in late January saw the Drury Lane triumph of Samuel Coleridge’s Remorse, which, running twenty nights, set a record for the longest-running tragedy of the still-young nineteenth century. Just as Coleridge’s play was winding down its run, William Wordsworth was receiving welcome spring news in the form of the office of Distributor of Stamps for Westmorland and Penrith, a government office made possible through the patronage of William Lowther, Earl of Lonsdale. And where spring bestowed one office, summer held out another prospect of another with the August death of Henry James Pye, Poet Laureate since 1790. Robert Southey had to wait for autumn for the offer of that position to materialize, but with October nearing its end he was duly sworn in, his borrowed court dress and chapeau-bras making him feel like, as he put it, a character in “the last scene of a pantomime.”3
Bob Southey! You’re a poet—Poet-laureate,
And representative of all the race;
—Lord Byron, “Dedication” to Don Juan2
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Notes
Quoted from Lord Byron, Preface to the Vision of Judgment, in The Liberal: Verse and Prose from the South, 4 vols, London: John Hunt, 1822–3, 1: iii.
Byron, “Dedication” to Don Juan, Complete Poetical Works, Volume V, ed. Jerome J. McGann, 7 vols, Oxford: Clarendon Press, 1980–92, 1–2.
Collected Letters of Robert Southey, gen. eds. Lynda Pratt, Tim Fulford, and Ian Packer, tech. ed. Laura Mandell, College Park, MD: University of Maryland, 2009-ongoing. http://www.rc.umd.edu/editions/southey_letters 4: 2313. Henceforth cited as Collected Letters.
The Letters of William and Dorothy Wordsworth, ed. Ernest de Selincourt, 2nd edn, 5 vols, Oxford: Clarendon Press, 1967–79, 3: 4.
Letters of Sir Walter Scott, ed. H. J. C. Grierson, assisted by Davidson Cook et al., 12 vols, London: Constable & Co., 1932, 2: 240.
Robert Southey, Carmen Triumphale, for the Commencement of the Year 1814, London: Longman, Hurst, Rees, Orme, and Brown, 1814, 5.
See W. A. Speck, Robert Southey: Entire Man of Letters, New Haven: Yale University Press, 2006, 158.
See The Life and Correspondence of Robert Southey, 6 vols, London: Brown, Green, and Longmans, 1849–50, 4: 51–55.
See, among others, Critical Review, 4th series, 5 (February 1814): 203–4; Scourge 7 (February 1814): 122–23; Examiner 446 (14 July 1816): 441–43. See also Thomas Love Peacock’s novel Melincourt, London: T. Hookham, 1817), which satirizes Southey through the character Feathernest, who has changed his politics for purely mercenary reasons.
Charles Mahoney points to September 1813 as the first time Southey was branded an apostate; see “‘The Laureat Hearse Where Lyric Lies’: Hunt, Hazlitt, and the Making of Romantic Apostasy, 1813,” Nineteenth-Century Contexts 24 (September 2002), 235.
Robert Southey, The Poet’s Pilgrimage to Waterloo, London: Longman, Rees, Hurst, Orme, and Brown, 1816, part I, section i, lines 31–36.
See Richard Helgerson, Self-Crowned Laureates: Spenser, Jonson, Milton, and the Literary System (Berkeley: University of California Press, 1983), 6–7, which coins the terms “laureate Poets” and “Poets Laureate” as a way of distinguishing between nationally acclaimed poets and those appointed by the monarch.
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© 2016 Michael Gamer
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Gamer, M. (2016). 1813: The Year of the Laureate. In: Fulford, T., Sinatra, M.E. (eds) The Regency Revisited. Nineteenth-Century Major Lives and Letters. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137504494_8
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