Abstract
To return back to my personal experiences with pop culture, I think of Sherman Alexie’s essay titled “I Hated Tonto (Still Do)” that appeared in the Los Angeles Times.1 After reading this essay about Alexie hating the monosyllabic Tonto figure on screen that looked like him, I ruminated on my own pop culture personification, A.C. Slater from Saved by the Bell (1989–1993). Granted, Slater did not help the Anglo character Zack Morris hunt down Latin@ banditos; however, Slater’s character still played the side-kick, and at times rival, jock who wasn’t as smart (read: tonto) as Morris. The mocha-skinned actor, Mario Lopez, was always the first character to dance or issue a physical threat, all the while performing some kind of quasi-machismo by calling female characters “mama.” Though less racist than Tonto, I resented Lopez’s A.C. Slater even though the character learned in Saved By the Bell: The College Years (1993–1994) that his father had changed the family name from Sanchez to avoid discrimination when he joined the military. Too little, too late.
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© 2015 Cruz Medina
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Medina, C. (2015). Afterword. In: Reclaiming Poch@ Pop: Examining the Rhetoric of Cultural Deficiency. Latino Pop Culture. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137498076_7
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DOI: https://doi.org/10.1057/9781137498076_7
Publisher Name: Palgrave Macmillan, New York
Print ISBN: 978-1-349-50555-5
Online ISBN: 978-1-137-49807-6
eBook Packages: Palgrave Media & Culture CollectionLiterature, Cultural and Media Studies (R0)