Abstract
Ted, an interviewee I discuss in more detail in chapter five, attempts to separate his father from the image of the prototypical Vietnam Veteran throughout the interview, explaining, “There was that stigma that everybody over there [in Vietnam] got attached with. And even, you’d see those reports in the media, ‘former Vietnam Veteran opens fire at a McDonalds restaurant’ or whatever, then it brings back that stigma that’s so prevalent.” Similarly, Samantha, another interviewee, made the comment that when Vietnam Veterans were finally acknowledged by society in the media they were portrayed as men who had a lot of problems, leading people to assume “that half the street bums on the corner are probably old Vietnam Veterans.” In Ted and Samantha’s minds these types of assumptions generate the negative undertones constituting the image of the Vietnam Veteran. This is not a benign image; rather, it is one that actively interjects into their personal relationships. They and my other interviewees seek to generate a different view of their fathers—Vietnam Veterans.
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Notes
The practice of leaving objects at The Wall has become a ritualized phenomenon. Compared to The Wailing Wall in Jerusalem, the Vietnam Veterans Memorial has become a site of commemoration with affective personal exchanges. “The Vietnam Veterans Memorial has been the subject of an extraordinary outpouring of emotion since it was built. More than 150,000 people attended its dedication ceremony, and some days as many as 20,000 people walk by its walls…. The memorial has taken all of the trappings of Lourdes and the Wailing Wall in Jerusalem. People bring personal artifacts to leave at the wall as offerings” (Marita Sturken, Tangled Memories: The Vietnam War, the AIDS Epidemic, and the Politics of Remembering [Berkeley, University of California Press, 1997, 74]).
It is important to note that I focus on the male Vietnam Veteran in this research. The experiences of men who fought in the Vietnam War differ dramatically from women (e.g., see Keith Walker, ed., A Piece of My Heart: The Stories of 26 American Women Who Served in Vietnam [Novato, CA, Presidio Press, 1985]). In addition, the social images of the Vietnam Veteran focus on the men’s experience in combat, rendering women mute in much of the imagery of the Vietnam War. It is not my intention to do the same. Because I am interested in masculine subjectivity and tensions within it that the trauma of the Vietnam War produced, women’s experiences fall outside the perimeters of my research.
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© 2015 Christina D. Weber
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Weber, C.D. (2015). Exploring Trauma and Memory through the Social Monad. In: Social Memory and War Narratives. Palgrave Studies in Cultural Heritage and Conflict. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137496652_2
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DOI: https://doi.org/10.1057/9781137496652_2
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