Abstract
Inasmuch as ìfægbôntáayé«e concerns itself with the betterment of society, ethics and values are an active part of this discussion: part of the advancement of society in the Yorùbá world is a move toward a more ethical community. While these definitions will be points of contention through the chapter, ethics generally refers to an absolute, ‘universal,’ abstract set of behavioral principles, while the word ‘values’ here signals a more individual application of abstract principles.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
Endnotes
St Marie Pauline Eboh (2001) Dialogue, Democracy and Morality: President Obasanjo’s Moral Foundations for Our Polity and Other Nigerian Ethical Policies Revisited (Imo State, Nigeria: Springfield Publishers), p. 25.
Barry Hallen (2000) The Good, the Bad, and the Beautiful: Discourse about Values in Yoruba Culture (Bloomington: Indiana University Press), p. 145.
Olatunji A. Oyeshile (2003) ‘Traditional Yoruba Social-Ethical Values and Governance in Modern Africa’, Philosophia Africana. 6.2, 81–8, 84.
Femi Abodunrin, Olu Obafemi, and Wole Ogundele (2001) Character Is Beauty: Redefining Yoruba Culture and Identity Iwalewa-Haus, 1981–1986 (Trenton, NJ: African World Press), pp. 192, 197.
Victor C. Uchendu (1965) The Igbo of Southeast Nigeria (New York: Holt, Rinehart and Winston), p. 11.
Karin Barber and Bayo Ogundijo (1994) Yorùbá Popular Theatre: Three Plays by the Oyin Adejobi Company (New York: African Studies Association Press), p. 257.
Karin Barber (2003) The Generation of Plays. Yoruba Popular Life in Theater (Bloomington: Indiana University Press), p. 5.
Christoph Staewen (1996) Ifá, African Gods Speak: The Oracle of the Yoruba in Nigeria (Hamburg: Lit Verlag), pp. 26–7.
Akinbowale Akintola (1999) Yoruba Ethics and Metaphysics: Being Basic Philosophy Underlying the Ifá System of Thought of the Yoruba (Ibadan: Valour Ventures), p. 99.
Omofolabo S. Ajayi (1998) Yoruba Dance: The Semiotics of Movement and Body Attitude in a Nigerian Culture (Trenton, NJ: Africa World Press), p. 27.
Stella Dia Oyedepo (1997) Doom of the Dimes (Ibadan, Nigeria: Caltop Publications), p. ii.
Tess Onwueme (2005) No Vacancy (Trenton, NJ: African World Press), p. 7.
William Over (2010) ‘Redefining Political Drama: Onwueme and Nigerian Society’, Contemporary Justice Review 13.2, 173–89, 173.
Omofolabo S. Ajayi (2002) ‘Tess Onwueme: Who Can Silence Her Drums?’, African Theatre Women, eds Martin Banham, James Gibbs, and Femi Osofisan (Oxford: James Currey), pp. 109–21, 110.
Olu Obafemi (1994) ‘Towards Feminist Aesthetics in Nigerian Drama: The Plays of Tess Onwueme’, Critical Theory and African Literature Today, ed. Eldred Durosimi Jones (Trenton, NJ: Africa World Press), pp. 84–111, 84.
Kanika Batra (2007) ‘“Daughters who Know the Languages of Power”: Community, Sexuality, and Postcolonial Development in Tess Onwueme’s Tell It to Women’, Interventions: International Journal of Postcolonial Studies 9.1, 137
Author information
Authors and Affiliations
Copyright information
© 2015 Glenn Odom
About this chapter
Cite this chapter
Odom, G. (2015). Values Beyond Ethics: From Stella Dia Oyedepo to Tess Onwueme. In: Yorùbá Performance, Theatre and Politics. Palgrave Macmillan, London. https://doi.org/10.1057/9781137492791_5
Download citation
DOI: https://doi.org/10.1057/9781137492791_5
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-349-58131-3
Online ISBN: 978-1-137-49279-1
eBook Packages: Palgrave Theatre & Performance CollectionLiterature, Cultural and Media Studies (R0)