Abstract
This chapter examines minkan in the late 1970s, when independent magazines thrived and matured. The world of magazines changed after 1978. Minkan experienced a flourishing following by a crackdown, then republication, and, finally, a transformation of their underground status. During this period, the wall itself started to gain an identity as a magazine. It was no longer merely a background or a place where posters are affixed. Now the wall became a unique format of the magazine; it had a “spine” where editors sold copies of their journals; it had pages where the posters were changed regularly.1 Such an identity was clearly manifested through the name: the “Democracy Wall.” This chapter looks at the various formats of magazines during this time, introduces a selection of magazines, and offers an analysis of certain keywords such as democracy, human rights, and rule of law. The exploration includes a reference to the pre-1949 and foreign discourses, both of which were prohibited. During the period between 1978 and 1980, minkan were available as a public communication platform, connecting with global networks, social movements, and independent associations, and forming the embryo of an oppositional party.
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Notes
A Cheng, Listen to enemy radios, http://www.bullogger.com/blogs/yangzheng/archives/252406.aspx (accessed December 10, 2010). See Claude Widor, The Samizdat Press in Chinas Provinces, 1979–1981: An Annotated Guide (Stanford, CA: Hoover Institution, Stanford University, 1987).
Roderick MacFarquhar and Michael Schoenhals, Mao’s Last Revolution (Cambridge, MA: Belknap Press of Harvard University Press, 2006), 301–460.
Chen Ziming, interview and Liu Shengqi, Dalu minban kanwu neirong he xingshi fenxi (Content and form analysis of unofficial publications in mainland China), Tianwan: Liuxue Publisher, 1984, 190.
Xiaomeng Liu, zhongguo zhiqing shi (History of China’ Educated Youths,《中 国知青史 大潮》) (Beijing: dangdui zhongguo chubanshe, 2009). See also http://book.ifeng.com/lianzai/detail_2009_03/03/291182_91.shtml (accessed December 11, 2010).
Literary Persecution, see Ku Chieh-Kang, “During the Qing, A Study of Literary Persecution during the Ming,” Harvard Journal of Asiatic Studies vol. 3, no. 3/4 (December 1938): 254–311.
Michel Bonnin (Pan Mingxiao), shi luo de yi dai: zhognguo de zha ngsa nxiaxia ng yundong (Lost Generation: Sent Educated Youths Movement 1968–1980,《失落 的一■代,中国的上山下乡运动 1968–1980》)’translated by Ouyang Yin (Hong Kong: Chinese University Publisher, 2009), 144.
Lin Zonghua, Da lu tong bao de hou sheng : da zi bao, chuan dan, di xia kan wu xuan ji (Selection of Dazibao Bulletins and Underground Magazines) (Taipei: Li ming wen hua shi ye gong si, Minguo 69, 1980).
The CCP constructed the model of literature and art works. See Geremie R. Barme, Red On Contemporary Chinese Culture (New York: Columbia University Press, 2000).
Paul Clark, A History of the Chinese Cultural Revolution (Cambridge: Cambridge University Press, 2008).
Umberto Eco argued that “the intention of the author and the intention of the reader and the intention of text formed open work and textual interpretation between them.” Peter Bondanella, Umberto Eco and Open Text (Cambridge: Cambridge University Press, 1997), 129.
Yang Jisheng, zhongguo gaige niandai de zhengzhe douzheng (Political Struggle in China’s Reform Era,《中国改革年代的政治斗争》) (Hong Kong: Excellent Culture Press 2004), 137—40.
Yen Chen, Zhongguo zhi jue xing: Wen ge hou Zhongguo si xiang yan bian li cheng 1976–2002 (Awakening China: Evolution of Thought in China after the Cultural Revolution 1976–2002) (Hong Kong: Tianyuan Publisher, 2006), 45. See also Widor, The Samizdat Press in Chinas Provinces.
Liu Shengqi, Zhongguo dixia kanwu yanjiu 1978–82 (Underground Journal Research in Mainland China 1978–1982), Tianwan: Sangwu Publisher, 1985, 60.
James Seymour, The Fifth Modernization: China’ Human Rights Movement, 1978–1979 [New York: Earl M Coleman Enterprises, 1980], 60.
Wei Jingsheng, The Courage to Stand Alone: Letters from Prison and Other Writings (Penguin, 1998), 51–57.
Chen Ziming, Rebirth, and his interview. Also see George Black and Robin Munro, Black Hands of Beijing: Lives of Defiance in Chinas Democracy Movement (New York: Wiley, 1993), 16–17.
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© 2015 Shao Jiang
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Jiang, S. (2015). The Democracy Wall. In: Citizen Publications in China Before the Internet. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137492081_4
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DOI: https://doi.org/10.1057/9781137492081_4
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