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Blind Woman on the Rampage

Priscilla Pointon’s Grand Tour of the Midlands and the Question of the Legitimacy of Sources for Biography

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Voice and Context in Eighteenth-Century Verse
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Abstract

What counts as a good source for biographical information? This is a question that I want to address as it is, for me, the burning question in both the recovery project of eighteenth-century women writers and the exploration of the experience of disability in the eighteenth century, since we have few objective records of either which would ‘count’ for traditional biographers. It is also a question to which Bill Overton gave a bold lead that I intend to follow in this chapter.

The author, being partially sighted, cannot read paper copies of books, so references are to pdf copies, which can be read with text-to-voice, most of which do not have page numbers. Thus, in this chapter, unless the page number has been located by a sighted person, the electronic version will be cited. I have chosen this practice as a statement of intent since, as a partially sighted scholar, I cannot easily work with texts that cannot be translated by text-to-voice.

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Notes

  1. J. Todd (1996) The Secret Life of Aphra Behn (London: Andre Deutsch).

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  2. Lonsdale (1990) Eighteenth-Century Women Poets: An Oxford Anthology (Oxford: Oxford University Press), p. 275 (italics added).

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© 2015 Chris Mounsey

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Mounsey, C. (2015). Blind Woman on the Rampage. In: Fowler, J., Ingram, A. (eds) Voice and Context in Eighteenth-Century Verse. Palgrave Macmillan, London. https://doi.org/10.1057/9781137487636_14

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