Abstract
Of the epigrams we have examined so far, the ones that fail do so because they do not meet one or more of the essential conditions of wit, while the ones that survive probably succeed because they do not come up short in any respect. In other words, as long as the subject matter of his epigram is not outdated, unclear, or unimportant, or its logic unsophisticated, disjointed, or unconvincing, there is a fairly good chance the epigram will keep being repeated. But Wilde’s collection also contains entries that do not conform to this simple rule of thumb, yet persist despite the fact that they clearly ignore at least some seemingly indispensable requirements. The reception of these epigrams has, on occasion, proven less predictable than the long-term performance of earlier examples, yet this is precisely what makes them so crucial for my analysis. Only once all anomalies are accounted for can general principles be confidently affirmed. Until then, the discussion remains open.
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Notes
Sigmund Freud, The Standard Edition of the Complete Psychological Works of Sigmund Freud, trans. and ed. James Strachey et al. (London: Hogarth, 1953–74), 8:106–07.
Max Weber, The Protestant Ethic and the Spirit of Capitalism, trans. Talcott Parsons, intro. Anthony Giddens (London: Routledge, 2001).
Jeff Nunokawa, “The Protestant Ethics and the Spirit of Anorexia,” in What’s Left of Theory? New Work on the Politics of Literary Theory, ed. Judith P. Butler, John D. Guillory, and Kendall Thomas (New York: Routledge, 2000), 257.
Thorstein Veblen, The Theory of the Leisure Class, ed., intro., and annot. Martha Banta (Oxford: Oxford University Press, 2007).
Gregory Dobbins, Lazy Idle Schemers: Irish Modernism and the Cultural Politics of Idleness (Dublin: Field Day, 2010), 32.
Compare Philip Smith, “Philosophical Approaches to Interpretation of Oscar Wilde,” in Palgrave Advances in Oscar Wilde Studies, ed. Frederick S. Roden (New York: Palgrave Macmillan, 2004), 149–51.
4th Earl of Chesterfield, Lord Chesterfield’s Worldly Wisdom: Selections from his Letters and Characters, ed. George Birkbeck Hill (Oxford: Clarendon, 1891), 152.
Julia Prewitt Brown, Cosmopolitan Criticism: Oscar Wilde’s Philosophy of Art (Charlottesville and London: University Press of Virginia, 1997), 58.
Friedrich Nietzsche, The Complete Works of Friedrich Nietzsche: The First Complete and Authorised English Translation, ed. Oscar Levy (New York: Russell and Russell, 1964), 12:91.
Quoted in Declan Kiberd, “Oscar Wilde: The Artist as Irishman,” in Wilde the Irishman, ed. Jerusha McCormack (New Haven: Yale University Press, 1998), 10.
Anthony David Nuttall, Dead from the Waist Down: Scholars and Scholarship in Literature and the Popular Imagination (New Haven: Yale University Press, 2003), 64.
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© 2015 Jure Gantar
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Gantar, J. (2015). Laws and Exceptions. In: The Evolution of Wilde’s Wit. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137483553_6
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DOI: https://doi.org/10.1057/9781137483553_6
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