Abstract
In introducing this volume, Finn and Smith discuss models of collaboration and co -production and assess the ways in which the East India Company at Home project benefited from using these approaches. Alongside suggesting new research horizons and identifying untapped source collections, working collaboratively with a range of research communities raised important questions about the nature of historical practice. In the Introduction, Finn and Smith discuss the relationship between family, local, public and global histories, the nature and significance of âccess’ to primary and secondary historical sources and finally, the parameters within which effective collaboration between university-based researchers and wider communities of historians can be conducted.
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Notes
H. Kean (2010) ‘People, Historians, and Public History: Demystifying the Process of History Making’, The Public Historian, XXXII: III, 26.
H. Hoock (2010) ‘Introduction’, The Public Historian, XXXII: III, 17.
L. Jordanova (2006) History in Practice (2nd edn, London: Hodder Arnold), p. 5.
See for example Z. Gannon and N. Lawson (2008) Co-production: The Modernisation of Public Services by Staff and Users (London, Compass).
See J. Sykes (2013) ‘The Indian Seal of Sir Francis Sykes–A Tale of Two Families’, East India Company at Home, http://www.blogs.ucl.ac.uk/eicah/files/2013/02/THE-INDIAN-SEAL-Final-PDF-19.08.14.pdf.
R. Samuel (1994)Theatres of Memory. Volume I: Past and Present in Contemporary Culture (London: Verso)
B. Smith (1998) The Gender of History: Men, Women and Historical Practice (Cambridge, MA: Harvard University Press).
J. Tosh (2008) Why History Matters (Basingstoke: Palgrave Macmillan).
For the rapid growth of the Trust in this period, see M. Waterson (2011) A Noble Thing: The National Trust and Its Benefactors from 1940 to the Present Day (London: Scala).
https://www.ucl.ac.uk/lbs/project/project; C. Hall, N. Draper, K. McClelland, K. Donington and R. Lang (2014) Legacies of British Slave-Ownership: Colonial Slavery and the Formation of Victorian Britain (Cambridge: Cambridge University Press).
D. Massey (1995) ‘Places and their Pasts’, History Workshop Journal, XXXIX, 186.
K. Prior (2007) ‘Commemorating Slavery 2007: A Personal View from inside the Museums’, History Workshop Journal, LXIV, 200–210
J. McAleer (2013) ‘“That Infamous Commerce in Human Blood”: Reflections on Representing Slavery and Empire in British Museums’, Museum History Journal, VI, 72–85
B. Kowaleski Wallace (2009) ‘Uncomfortable Commemorations’, History Workshop Journal, LXVIII, 223–233.
C. Bressey (2013) ‘Contesting the Political Legacy of Slavery in England’s Country Houses: A Case Study of Kenwood House and Osbourne House’, in M. Dresser and A. Hann (eds), Slavery and the British Country House (Swindon: English Heritage), p. 116.
A. Green, S. Lloyd and S. Parham (2013) ‘Living Heritage: Universities as Anchor Institutions in Sustainable Communities’, International Journal of Heritage and Sustainable Development, III, 9.
T. Hitchcock (2013) ‘Confronting the Digital: Or How Academic History Writing Lost the Plot’, Cultural and Social History, X, 9–23.
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© 2015 Margot Finn and Kate Smith
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Finn, M., Smith, K. (2015). Introduction. In: Finn, M., Smith, K. (eds) New Paths to Public Histories. Palgrave Pivot, London. https://doi.org/10.1057/9781137480507_1
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DOI: https://doi.org/10.1057/9781137480507_1
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