Abstract
Cory Arcangel is not a novelist. ‘Fiction’ is the word on the spine of his latest art project, but even that is a reach. The project is a book of retweets, published by Penguin in 2014, harvested from his feed of anything at all containing the words ‘working on my novel’. His decision to call the result a ‘novel’1 is pure provocation: it bears no resemblance to the books his tweeters intended to write. Bound together, one per page, these hundred-some reports of not-working—because whatever one was doing the moment before or the moment after, the tweet itself is not novel-generating activity—are to the artist ‘about the act of creation and the gap between the different ways we express ourselves today’.2 Reviewers see something darker. What is ‘funny, sad and oddly touching’ in the eyes of the Guardian3 is ‘an aggregate of delusion, narcissism, procrastination, boredom, self-congratulation, confusion—every stumbling block, in other words, between here and art’ to the Paris Review.4 The artist strains to explain that the project is not, in fact, out to ridicule its subjects, but ridicule is how it strikes these observers. What makes it ‘touching’— not just ‘delusion’ but affecting, pathetic delusion—is the reviewers’ certainty that these tweeters who declare themselves writers are not writers, and never will be until they can close the app and get to work.
Now that I have a great domain name I can start working on my novel
Chris Blow—7:41 PM—August 7, 12 Working On My Novel
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Notes
John Thompson, Merchants of Culture: The Publishing Business in the Twenty-First Century (Cambridge: Polity, 2012, 2nd ed.).
Susanne Janssen, ‘Side-Roads to Success: The Effect of Sideline Activities on the Status of Writers’, Poetics, 25 (1998): 266–267.
Allegre Hadida and Thomas Paris, ‘Managerial Cognition and the Value Chain in the Digital Music Industry’, Technological Forecasting & Social Change, 83 (2014): 84–97.
N. Anand and Brittany C. Jones, ‘Tournament Rituals, Category Dynamics, and Field Configuration: The Case of the Booker Prize’, Journal of Management Studies, 45.6 (2008): 1036–1060.
Michel Foucault, ‘What is an Author?’, in Language, Counter-Memory, Practice, translated by Donald F. Bouchard and Sherry Simon (Oxford: Basil Blackwell, 1977), 118.
Ann Patchett, This is the Story of a Happy Marriage (New York: HarperTorch, 2013), 153.
Gerard Genette, Paratexts: Thresholds of Interpretation, translated by J.E. Lewin (Cambridge: Cambridge University Press, 1997), 5.
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© 2015 Laura Dietz
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Dietz, L. (2015). Who Are You Calling an Author? Changing Definitions of Career Legitimacy for Novelists in the Digital Era. In: Davidson, G., Evans, N. (eds) Literary Careers in the Modern Era. Palgrave Macmillan, London. https://doi.org/10.1057/9781137478504_12
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DOI: https://doi.org/10.1057/9781137478504_12
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-349-56510-8
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