Abstract
Like many writers, W. G. Sebald was fascinated with the ways in which the past shapes the present. What distinguishes him is the sense that the past continues to radiate and seep into the present. The travels of his characters are often mediated via historical fragments from bygone times. Photographs, documents, passports, landscapes, streets and architectural monoliths all exude an aura from a previous life. Each object’s existence has an afterlife to be deciphered. More often than not, their talismanic afterlife is part of the larger aftermath of twentieth-century European history. Life, afterlife and aftermath are themes that permeate Sebald’s work. While many of his stories illuminate the porous layers of recent history, Austerlitz is also an example of the relationship between writing and remembering, traumatic event and its unpredictable after-life. There is a paradoxical relationship that unfolds between memory and storytelling, in which we, the readers, are carried along in Jacques Austerlitz’s struggle with writing, talking and remembering. If academic scholarship can outline the epistemological problem of memory and writing, it is literature that represents the moral contours of this complex relationship. As Sebald remarked in one of his last interviews,
The moral backbone of literature is about the whole question of memory. … Memory, if you repress it, will come back at you and it will shape your life.
This is a preview of subscription content, log in via an institution.
Buying options
Tax calculation will be finalised at checkout
Purchases are for personal use only
Learn about institutional subscriptionsPreview
Unable to display preview. Download preview PDF.
Bibliography
Agamben, Giorgio [1975] 1999. ‘Aby Warburg and the Nameless Science’, in Giorgio Agamben, Potentialities: Collected Essays in Philosophy, trans. by Daniel Heller-Roazen. Stanford, CA: Stanford University Press, 89–103.
Assmann, Aleida 2006. Der lange Schatten der Vergangenheit: Erinnerungskultur und Geschichtspolitik. Munich: C.H. Beck.
Assmann, Jan 1992. Das kulturelle Gedächtnis. Munich: C.H. Beck.
Assmann, Jan 1995. ‘Collective Memory and Cultural Identity’, trans. by John Czaplicka, New German Critique 65, 125–33.
Assmann, Jan 1997. Moses the Egyptian, Cambridge, MA: Harvard University Press.
Assmann, Jan [2000] 2006. Religion and Cultural Memory, trans. by Rodney Livingstone. Stanford, CA: Stanford University Press.
Assmann, Jan; Assmann, Aleida 2003. ‘Air from Other Planets Blowing: The Logic of Authenticity and the Prophet of the Aura’, in Hans Ulrich Gumbrecht (ed.), Mapping Benjamin: The Work of Art in the Digital Age. Stanford, CA: Stanford University Press, 147–57.
Benjamin, Walter [1929] 1968. ‘The Image of Proust’, in Walter Benjamin, Illuminations, ed. Hannah Arendt, trans. by Harry Zohn. New York: Schocken Books, 201–15.
Benjamin, Walter [1940] 1968. ‘Theses for a Philosophy of History’, in Walter Benjamin, Illuminations, ed. Hannah Arendt, trans. by Harry Zohn. New York: Schocken Books, 253–64.
Crownshaw, Richard 2010. The Afterlifeof Holocaust Memory in Contemporary Literature and Culture. Basingstoke: Palgrave Macmillan.
Denham, Scott; McCulloh, Mark (eds.) 2006. W. G. Sebald: History, Memory, Trauma. Berlin and New York: Walter de Gruyter.
Derrida, Jacques [1972] 1983. Dissemination, trans. by Barbara Johnson. Chicago: University of Chicago Press.
Didi-Huberman, Georges 2003. ‘Artistic Survival. Panofsky vs Warburg and the Exorcism of Impure Time’, Common Knowledge 9, 2, 273–85.
Erll, Astrid 2011. Memory in Culture, trans. by Sara B. Young. Basingstoke: Palgrave Macmillan.
Erll, Astrid; Nünning, Ansgar (eds.) 2010. A Companion to Cultural Memory Studies. Berlin and New York: Walter de Gruyter.
Eshel, Amir 2003. ‘Against the Power of Time: The Poetics of Suspension in W. G. Sebald’s “Austerlitz”’, New German Critique 88, 71–96.
Freud, Sigmund [1919] 2003. The Uncanny, trans. by David Mclintock. London: Pengu in Classics.
Freud, Sigmund [1925] 2007. ‘A Note on the “Mystic Writing-Pad”’, in Michael Rossington, Anne Whitehead (eds.), Theories of Memory: A Reader. Edinburgh: Edinburgh University Press, 114–18.
Friedrichsmeyer, Sara 2006. ‘Sebald’s Elective and Other Affinities’, in Denham, McCulloh (ed.), 77–89.
Fritzsche, Peter 2006. ‘W. G. Sebald’s Twentieth-Century Histories’, in Denham, McCulloh (ed.), 291–301.
Fuchs, Anne; Long, Jonathan J. (eds.) 2007. W. G. Sebald and the Writing of History. Würzberg: Könighausen und Neumann.
Garloff, Katja 2006. ‘The Task of the Narrator: Moments of Symbolic Investiture in W. G. Sebald’s Austerlitz’, in Denham, McCulloh (ed.), 157–69.
Hirsch, Marianne 1997. Family Frames: Photography, Narrative and Postmemory, Cambridge, MA: Harvard University Press.
Hirsch, Marianne 2008. ‘Generation of Postmemory’, Poetics Today 29, 1, 103–28.
Hirsch, Marianne 2012. The Generation of Postmemory: Writing and Visual Culture after the Holocaust. New York: Columbia University Press.
Hutchinson, Ben 2006. “Egg boxes stacked in a crate”: Narrative Status and Its Implications’, in Denham, McCulloh (ed.), 171–82.
Huyssen, Andreas 2003. Present Pasts: Urban Palimpsests and the Politics of Memory. Stanford: Stanford University Press.
LaCapra, Dominick 2013. History, Literature, Critical Theory. Ithaca, NJ: Cornell University Press.
Landsberg, Alison 2004. Prosthetic Memory: The Transformation of American Remem-brance in the Age of Mass Culture. New York: Columbia University Press.
Long, Jonathan J. 2007a. ‘W. G. Sebald: A Bibliographic Essay on Current Research’, in Fuchs, Long (ed.), 11–29.
Long, Jonathan J. 2007b. W. G. Sebald: Image, Archive, Modernity. Edinburgh: Edinburgh University Press.
McCulloh, Mark R. 2003. Understanding Sebald. Columbia, South Carolina: University of South Carolina Press.
Patience, (after Sebald) 2012. Directed by Grant Gee, produced by Sarah Caddy, Gareth Evans and Di Robson, Soda Pictures, UK.
Pensky, Max 2011. ‘Three Kinds of Ruin: Heidegger, Benjamin and Sebald’, Poligrafi, 12, 61/62, 65–90.
Plato 2005. Phaedrus, trans. by Christopher Rowe. London: Penguin Classics.
Plato 2007. ‘Theaetetus’, in Michael Rossington, Anne Whitehead (eds.), Theories of Memory: A Reader. Edinburgh: Edinburgh University Press, 25–7.
Prager, Brad 2005. ‘The Good German as Narrator: On W. G. Sebald and the Risks of Holocaust Writing’, New German Critique, 96, 75–102.
Santner, Eric L. 2006. On Creaturely Life: Rilke, Benjamin, Sebald. Chicago: University of Chicago Press.
Sebald, W. G. 2001a. Austerlitz, trans. by Anthea Bell. London: Penguin Books.
Sebald, W. G. 2001b. ‘The Last Word’. Interview with Maya Jaggi, The Guardian 21 December http://www.guardian.co.uk/education/2001/dec/21/ artsandhumanities.highereducation (13 February 2013).
Sebald, W. G. 2001c. ‘Ich fürchte das Melodramatische’, Der Spiegel 11, 228–34.
Sebald, W. G. 2005. Campo Santo, trans. by Anthea Bell. London: Penguin Books.
Sontag, Susan 2001. Where the Stress Falls. London: Penguin Modern Classics.
Editor information
Editors and Affiliations
Copyright information
© 2015 Siobhan Kattago
About this chapter
Cite this chapter
Kattago, S. (2015). Literature and the Afterlife of Events: The Lost and Haunted World of Austerlitz. In: Tamm, M. (eds) Afterlife of Events. Palgrave Macmillan Memory Studies. Palgrave Macmillan, London. https://doi.org/10.1057/9781137470188_6
Download citation
DOI: https://doi.org/10.1057/9781137470188_6
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-349-50062-8
Online ISBN: 978-1-137-47018-8
eBook Packages: Palgrave Media & Culture CollectionLiterature, Cultural and Media Studies (R0)