Abstract
This chapter covers basic consumer theory, including budget constraints, indifference curves, utility maximization, and constrained optimization. It will be useful for applying economic theory to the changes in the music industry as they relate to goods that are perfect substitutes and perfect complements. Technology has eroded copyright protections and enforcement, and pirated music is a substitute for legal (purchased) music. In response to these changes, musicians have supplemented their incomes by touring and offering other merchandise known as complementary goods. Thus, basic consumer theory is useful in helping us understand the shifts in consumption patterns in the music industry. An understanding of the theory will be useful in analyzing the music industry trends, especially as the consumption mode shifts to online streaming platforms.
This is a preview of subscription content, log in via an institution.
Buying options
Tax calculation will be finalised at checkout
Purchases are for personal use only
Learn about institutional subscriptionsPreview
Unable to display preview. Download preview PDF.
Author information
Authors and Affiliations
Copyright information
© 2016 Chong Hyun Christie Byun
About this chapter
Cite this chapter
Byun, C.H.C. (2016). Basic Consumer Theory. In: The Economics of the Popular Music Industry. Palgrave Pivot, New York. https://doi.org/10.1057/9781137467058_2
Download citation
DOI: https://doi.org/10.1057/9781137467058_2
Publisher Name: Palgrave Pivot, New York
Print ISBN: 978-1-349-69162-3
Online ISBN: 978-1-137-46705-8
eBook Packages: Economics and FinanceEconomics and Finance (R0)