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Abstract

This chapter summarizes some important tropes in American sea literature by the sea. Narrators by the sea are often obsessed with both physical and metaphorical features of the “edge” of the ocean. The multifaceted physicality of the shore is replete with narrators’ observations on the beach; on the other hand, the physicality transcends into some abstract notions and images. A notable example would be Henry David Thoreau and his Cape Cod (1865), in which he observes the nineteenth-century American beach experiences, but Hector St. John de Crèvecoeur, Rachel Carson, Anne Morrow Lindbergh, Henry Beston, and some twentieth-century surf writings will also be introduced to show how the space between the terrestrial and the oceanic is expressed in this subgenre, while analyzing how both sides of oceanic edge become transient and interactive, but never lose their inherent essence.

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Notes

  1. A notable example would be Carl Schmitt, a German philosopher and political theorist who wrote Land and Sea, trans. Simona Draghici (Plutarch Press, 1997; original publication 1954).

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© 2014 Shin Yamashiro

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Yamashiro, S. (2014). American Sea Literature—by the Sea. In: American Sea Literature: Seascapes, Beach Narratives, and Underwater Explorations. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137463302_3

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