Abstract
The ethical dimensions of remembering might usefully be thought of through the activity of recollection in both its contemporary connection to remembering and its archaic sense of re-collection. Since the function of memory turned to principles of what Aleida Assmann calls ‘reactivation, reformulation and reinterpretation’ (2011, 80) in the seventeenth and eighteenth centuries, recollecting is mostly taken to mean remembering. However, equally important is its archaic pre-sixteenth-century usage in the sense of re-collecting, which, in addition to meaning ‘recalling to memory’, had the implication of summoning up one’s spirits or courage, of gathering together after some kind of dispersal. This chapter will explore the acts of recollecting in the sense of remembering and re-collecting, of gathering and reassembling depleted resources and energies, to explore the significance and consider the ethical implications of memory following the violence of a protracted conflict. Recollection is necessary to work out appropriate ways to remember the dead of the conflict as well as how to pay attention to the continuing impact on those who remain. Re-collection is also essential in the sense of taking stock, creating an emotional inventory of capacity, strength and the desire to rebuild.
Archives, viewed as active and interactive tools for the construction of sustained identities, are important vehicles for building the capacity to aspire among groups who need it most. (Appadurai 2003, 25)
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© 2016 Alison Jeffers
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Jeffers, A. (2016). Recollecting and Re-Collecting. In: Cochrane, C., Robinson, J. (eds) Theatre History and Historiography. Palgrave Macmillan, London. https://doi.org/10.1057/9781137457288_8
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DOI: https://doi.org/10.1057/9781137457288_8
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-349-57879-5
Online ISBN: 978-1-137-45728-8
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